The heroine is a very interesting character: super-powerful memory and harsh rationality, no music, refusal to contact, and do not know how to attract the opposite sex. Simply put, high intelligence, low emotional intelligence.
It is also interesting to compare the male protagonist: unable to bear the blood in the slaughterhouse, he constantly tries to communicate with women (including the body), he is eager for love, sensitive and hurt because of this, so he decides to seal some memories. The male protagonist has a high EQ (a narrow and absurd understanding of being sensitive), and it cannot be said that the IQ is low, but the EQ is more prominent. Such as the handling of the mating powder: great handling of the real thief and the previous suspect, and the police who handled it, there was a meeting saying "the beef last time was good", and then the male lead made a phone call , only said "the old way", this matter, the male protagonist has handled it very well from beginning to end.
The encounter of the two people began to walk together due to the coincidence of being in the same dream. Here, I think the dream is not "spirit" (I think so at the beginning of the film), but is just an "excuse" set up by the film for their souls to meet, because I think the hero and heroine are knowing that each other is the same After the dream, the relationship developed rapidly, and later the male protagonist always approached the female protagonist because of this dream.
The male protagonist longs for contact in love, and longs for response in brave and constant contact. The heroine's love for the hero is synchronized with the opening of her emotional world. Slowly learn to touch, when he sees the playfulness and intimacy in the park, when she listens to that song and her heart hurts, is she opening herself up and opening her emotions. Her love for the male protagonist is far more than what she shows on the surface, so when she worked hard to accept the intimate contact and mustered the courage to speak to the male protagonist, how excited she should be in her heart, and it was precisely because of her excitement that she suffered She was so sad after rejection, so sad that she couldn't love her, did she really have nothing else to love except this love? It is precisely because of this love that I have a strong desire to live when I hear the male protagonist's phone call at the moment of death. However, she is her, and she is still rational. Even if she has to rush to the hospital, she does not forget to wipe off the table. of blood.
When the "spirit" (pure love) of the two finally waited for the union of the body, everything was completed, and the excuse (the dream of the deer in the forest) disappeared completely and was no longer needed.
The union of the soul is constantly looking forward to the union of the body, as if this is the only way to achieve consummation; while the union of the pure body seems so boring (for example, the male protagonist has sex with another woman after rejecting the female protagonist). Platonic spiritual love, I think, is deformed. Just like I don't believe a woman can stay with an asexual person; just like I don't believe a man can stay with a woman who can't have sex. Only the union of spirit and flesh can create the sweetest love. As for the union of spirit and flesh, this love can only be experienced by each of us if we have the opportunity. Maybe there is no such opportunity at all, maybe this opportunity is only a few seconds and a few minutes, but so what? who care
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