It's funny, but not very advanced. The subtle feelings in desire are magnified, and the camera is full of flesh and spirit. The setting of two independent propositions under the deconstruction of desire is very interesting. The symbol of the deer means a little clumsy. The scene where the soul seems so thin in comparison is so shocking that I can't help but think of the cow's blood that repeatedly appears in the film. If there is no emotional filling of death, blood, music, the third-level film is like a dead animal, and I watch the film without awareness. When I want to understand a thing, all kinds of desires are not independent. Sexual desire, appetite, wealth, etc. are nested in each other like a Rubik’s cube, colorful, and attached to each other to form a magical realism. In the movie, it becomes a gimmick. The use of light and photographic composition is rigorous and beautiful (echoing the temperament of the heroine with obsessive-compulsive disorder) The sense of alienation and passion that is unfamiliar to each other is just right. The embellishment of several music creates a strange atmosphere, which is very impressive. It's a natural ending to have a cannonball, why is it difficult to get out of this framework to be unconventional, no matter from flesh to spirit, or from spirit to flesh, this is a law that may not change for a long time
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