calm depression calm sadness

Elroy 2022-04-22 07:01:47

The painting style, plot setting, and character creation are flat and lightly weakened the conflict of events. Even the final depiction of death is so peaceful. There are not too many lines. It's like there's never been such a person at home

I like the picture of the film very much, although it is telling a sad story, but the color of the picture is bright most of the time, and the bgm is also a soft Japanese tone. I didn't want to convey the feeling of sadness at all. In fact, life is like this most of the time, although it does not involve death. There is not much in ordinary life itself that is worth griefing. Keeping this attitude of not taking pleasure in things and not taking sorrow for yourself seems to be lightening up in everything. You don’t have to cry and make noise. Fight life with a straight face. Fighting life is so light. Of course, putting love in the bottom of my heart, even complaining, thanking, and guilt, and not saying it is an ending.

I also like the handling of details, especially the scene where the convenience store employees have been rolling plastic bags about three times, although I don’t quite understand the meaning of the rolling, but it’s really addicting to watch…

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Nobody Knows quotes

  • Keiko, the mother: Now that we've moved into a new home, I'm gonna explain the rules to you, one more time. Let's promise to keep 'em, okay?

    Yuki: Okay. How many are there?

    Keiko, the mother: Okay, first of all: No loud voices or screaming. Can you do that?

    Yuki: I can.

    Keiko, the mother: Okay, next: No going outside.

    Yuki: Okay.

    Keiko, the mother: Can you do that? No even out on the veranda.

    Yuki: Okay, Mommy.

    Keiko, the mother: "Okay, Mommy." Can you keep that promise?

    Yuki: Sure!

    Keiko, the mother: Can you do it, little Shige-runt?

    Shigeru: MEEEEEW!

    Keiko, the mother: You gotta promise hardest, huh? Right? Absolutely no going outside. Can you do that? Bet you can-can.

  • Pachinko Parlor Employee: Shit. I'm 10 yen short. Lend me 10 yen.

    Akira Fukushima: Ten yen?

    Pachinko Parlor Employee: No big deal, huh? Lend me. What the hell is with that big wallet? What the hell is this?

    Akira Fukushima: It's a hand-me-down from Mom.

    Pachinko Parlor Employee: From who?

    Akira Fukushima: From Mom.

    Pachinko Parlor Employee: You moved, right? Roomy, huh? Any pubic hair comin', yet?

    Akira Fukushima: No...

    Pachinko Parlor Employee: Bullshit. I got mine in fifth grade.

    Akira Fukushima: No way.

    Pachinko Parlor Employee: No bullshit.

    Akira Fukushima: Well...

    Pachinko Parlor Employee: What the heck are you smiling about, huh?

    Akira Fukushima: Well, It's just that single mother's gine, well... there's no money...

    Pachinko Parlor Employee: Whoa. I don't have any money. What've you got left?

    Pachinko Parlor Employee: About 10,000 yen.

    Pachinko Parlor Employee: Oh, that's enogh, huh? You know, I'm in a hell of a jam. My stupid girlfriend, you know, she totally maxed out my credit cards. I'm badly off. I'm working my ass off, slowly paying it down, man. Uh, this is all I've got on me. This is it, the last time, huh?

    Akira Fukushima: Thanks, thank you.

    Pachinko Parlor Employee: Okay. I'm outta here.

    Pachinko Parlor Employee: By the way, Yuki ain't my kid. Every time I did with your mom, I used a prophylactic, huh? Good bye.

    Akira Fukushima: See ya.

    Pachinko Parlor Employee: Bye-bye.

    Akira Fukushima: Thanks for this.