Nobody knows our lives
It's Hirokazu Kore-eda who is really the teacher with details. I love this set. There are thousands of ways to express time here: I judge how long my mother has not been home by looking at the length of Ming and Mao's hair; The degree of violation of the rules, the coins on the table are gradually decreasing... Spring, summer, autumn and winter are very ordinary, but I can see that my brows are wrinkled. Great realization, anger, powerlessness, sadness. It should not be difficult to guess that my mother is leaving. Before going to the station, I had a snack and a coffee with Ming for the last time. The topic of the conversation between the two was still about when to go to school... How can you not be selfish? For a woman deeply hurt by selfishness. If I had a little sense of responsibility in the first place, I would not have had so many children with different men. Family problems in Japan have existed for a long time, and Hirokazu Kore-eda has always focused on this when making films... alas
Distressed: Ming's childishness can only be released in a place where "no one knows", whether it's the baseball he accidentally picked up, or the comic book he's focused on reading when he goes shopping... The throbbing of his teenager can only be "unknown". People know", talking about puberty with my non-biological father; seeing the girl I like from a distance; being asked by my sister if she has a cold when she is in the period of voice change... an abnormal life but on track! suffering heart. Children who are tricked by fate. There are too many moments that no one knows about, and in the end they are cruelly dissolved by time.
The cherry blossoms are blooming beautifully, the monorail runs as usual, the sunset and sunrise are like this every day, the neighbors downstairs are still talking about how the children's Mandarin class is, baseball games are held every year, and every few minutes in the airport. A flight takes off, but no one knows how many children in the city.
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