If I had the same experience as the children in the film, I think I might have collapsed, and the astonishing calm and perseverance of the Japanese is an intriguing point of this film, the boy's silence when burying his sister, the girl's The expressionless face is very special, which is different from the way of expression of other ethnic groups. I think that feelings have power. When feelings come up, the power is outward, while the feelings of the people in the film are inward. What makes people feel more paradoxical is that they are all children, facing life. When we are helpless and difficult, it shows the consciousness of rebirth after enduring and cleaning up the sadness. The consciousness of rebirth that human beings have come to today is undoubtedly very important. After this film enlarges this consciousness, it condenses in The bodies of several children made this internal force appear more solid and intrusive.
The appearance of life can be out of focus, but when we adjust the lens, we find that the blurry tears before have disappeared. It is not the lens's credit, but the nature of human beings and the nature of survival.
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