calm shots, few dialogues, not avoiding any imperfections, and even pushing the so-called negative emotions in front of the viewer. You think it's boring foreshadowing, so you will look forward to how it will end. In fact, even the ending is a rendering.
The long shot of the protagonist riding a bicycle on the road is easily reminiscent of "The Four Hundred Blows", which is also a relationship between people and family. The cyclist expresses an emotion in an almost objective and recorded way.
The Cinebook says: A restrained, humble, but appropriate film that won the hearts of its audience not only for its attempt to break down the estrangement of reality, but also for its shyness to grow that estrangement into a frenzy.
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