Medieval painting-style mirror image, Italian Renaissance-style European retro consciousness flow, and superb oil painting-style picture expression techniques. The first two stories, one tells that the monster incarnated by the mother was killed by the parents and the children, the king diving suit and the sea monster, the queen gnawed on the big bloody heart in the white palace, and finally the monster's bones became the queen. I even enjoyed it very much. Artistic vision, there is no guilt in the relationship, what you want is what you don’t have; another tells about the absurd exaggeration, disgust and sadness of women’s aging, yes, maybe my subconscious believes in the so-called superficial bargaining chip of youth and beauty, it’s time to be aware of The fantasy story of straight male power, in short, respects the essential value of all life and sees the illusion in the collective consciousness. The last story actually has no resonance. Xiaoqiang is very cute and sensible. The little princess finally found herself. As for the aristocratic oil painting-like circus family, the beauty and beauty that the little princess has given will never disappear, because what is It's the beauty itself, and the wicked never really existed. Sorry, the story of the story is just a story. The visuals of the film are so emotional, words can't describe it.
View more about Tale of Tales reviews
