I have read a book on horror, thriller, and ghost movies. I think this movie is also very applicable. It stops at thoughts, not movie reviews.
The book mentions a very interesting point: vampire movies, about the way of sucking blood (kissing the neck) and the metaphors and expressions of the picture linking to sex. Now let’s talk about the uncomfortable "physical horror" disgusting picture of tearing people.
I think you should have seen various levels of sexual violence in movies. However, no matter how cruel violence is, unless the adult film level, it is almost impossible to have intrusive realistic pictures. At most, naked actors are performing violence. The picture is enough to make the female audience restless.
There are two ``sex'' lines in "Tear Man". "Ming" is of course the story of the protagonist Grant begging his wife Starla to go to the bar to have fun. (Although the victims are not divided into males and females, the majority of them are still women).
The official (police staff) first vomited that it was something like an octopus or squid. You would know by watching the blue light or going to the theater line that the thing was like a restless male organ (and it would be thrown everywhere). Unmatched women, babies and animals, the director directly allows you to receive the two straws inserted into the flesh to absorb energy.The process also allows you to see the tragedy of the victim's whole body shaking and rolling his eyes, and then Grant's face is like a climax. Satisfaction, or other passers-by who have been integrated into the individual groan comfortably. More meaningful is of course the picture of the sucking leeches sliding into the bathtub and swimming towards the little girl (isn't this a tadpole, is it a sperm?), whether you want to go in through your mouth, this kind of straightforward manifestation of sexual violence, of course It makes people feel uncomfortable!
However, the above is pure speculation. The real thoughts of the director and screenwriter are unknown. The book was written through Tian Tiao and the context of film history. This is just an association from another angle. Although there have always been many monsters that have mouthpieces and can stretch freely (the director also added mutant zombies), "The Ripper" is an impressive one.
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