Money World: Whether you see it as a biopic or a suspense, you will not be disappointed

Izaiah 2021-12-21 08:01:05

The ban is finally lifted. Of course, the first attraction of this film is the experience of the former richest man, Getty, and his family. After all, the outside world actually doesn’t know anything about the rich, just like we often hear about Wang Jianlin, but he is private. Most of us who eat melon do not know what kind of people. In the process of watching, the audience will also be delighted to discover that this is not only a story about rich people, but the director and screenwriter have also created various experiences such as kidnapping, bargaining, and grandson's attempt to escape, which are full of dramatic tension and suspense. There have been many transitions, so it is also very enjoyable to watch as a crime suspense film. Still very optimistic about the director's shortlist, and nominations for female lead and male lead.

Getty is a miser, so it is not an exaggeration to say that he is. He didn't want to spend a penny to redeem his grandson, even after the grandson was kidnapped, he refused to see the child's mother, but during this period, he would still be willing to spend millions to buy a well-known oil painting. This is Getty, who lacks trust in people. He only spends his money and energy on buying art, because these things do not protect him and betray him. But the film didn't portray him as a villain, but instead allowed him to say a lot of dialogues that are quite classic and easy to resonate. For example, he said: "It's not difficult to get rich. The hard part is how to be a rich man." Even ordinary people like us can understand that being a billionaire must have a lot of difficulties, because everyone is thinking about your money. If we change to us, I'm afraid the trust in people will be very low, even with relatives.

Christopher Plummer’s performance is very natural. Unlike Kevin Spacey’s sharpness and indifference, he hardly exerted much effort, but showed a kind of contempt and disdain for things around him, which made people feel disdainful. Effortless but convincing. Although we may have never seen Getty himself, Christophe’s interpretation really meets our expectations of such a rich man. But personally, he seems to be much gentler than Kevin Spacey's version, not so aggressive (I was fortunate enough to see some passages in Kevin's version because of an interview).

The film gave us a better understanding of the rich man’s life through various reactions after his grandson was kidnapped. At the same time, the child’s mother had to bargain with the old man while dealing with the kidnappers, and suffered various stimuli. Michelle Williams demonstrated the strength of this role, allowing the audience to see that she is not a woman who pursues wealth. With her talent and courage, she has repeatedly fought Getty, which is very admirable. It's just that the understanding of this person is actually only through limited information, and it is difficult to say whether all of them are in line with the facts. After all, the film is made up.

The role of Mark Wahlberg has the most negotiations with the old Getty, and there is a scene where the two are facing each other and it is very exciting. But the most impressive person in this film may be an Italian kidnapper. In the process of getting along with his kidnapped grandson Paul, he gradually developed a father-son compassion. The movie dramatizes this role and portrays it as an unsung hero, but he is more humane than the Getty family and is a character full of surprises.

The plot from the kidnapping to the release is very exciting. There is almost no opportunity to breathe. It is full of surprises and turns. Moreover, the media and paparazzi in it are made quite scary, almost adding a horror element. I believe that whether you treat it as a biopic or Suspense films will never be disappointed.

In addition, this film tells us that Getty died without having a chance to move after he built a mansion in Malibu. But his various treasures are currently displayed in this mansion. Those who have the opportunity to come to Los Angeles can visit Getty Villa, which is much more beautiful than Getty Museum

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Extended Reading
  • Carson 2022-03-24 09:02:10

    The old grandfather can still be nominated for an Oscar for male supporting roles. If he wins another award, it will be comparable to the "Danish fairy tale" in 1992! The best control of the film is the tonality. The mediocrity and weightlessness of the family ethics and the kidnapping-negotiation part are all raised to a higher level by the comedy tonality. The image of the old man is also a character that can be remembered in the sequence of miser in literature and movies.

  • Mortimer 2021-12-21 08:01:05

    This story-driven film maintains the biggest suspense of the case among multiple narrative lines until the end, which makes it a good crime suspense film. However, its story-driven narrative is confusing in terms of role ambitions. Xiaomi and Plummer's interpretation of the roles by two strong actors is stronger than the character creation at the text level, and the lack of strength and support of the ending shot is a direct manifestation of the film's ambitions in the plot and the role.

All the Money in the World quotes

  • Playboy Interviewer: It's been reported that you're the first man in history with a fortune in excess of a billion dollars.

    J. Paul Getty: I have no idea. But, if you can count your money you're not a billionaire.

  • J. Paul Getty: Morning, Chase.

    [Getty walks around a covered table]

    J. Paul Getty: Will you, uh, help me with this?

    [Getty and Chase uncover the table to reveal a model mansion]

    J. Paul Getty: I'm, uh, building a house in California. An exact replica of my imperial villa in Rome, down to the very last detail. But with flush toilets. Yes, the mountain may not have come to Muhammad, but it sure as hell came to me.

    Nancy Getty's Secretary: Mr. Getty. The West Texas Intermediate, sir.

    [secretary hands stock number strip to Getty]

    Fletcher Chase: What's it feel like, reading that slip of paper?

    J. Paul Getty: Well, for a moment, money loses all meaning and becomes as plentiful as air. Like flight. And then, it passes.

    [Getty crumples the strip and throws it away]

    J. Paul Getty: What's, uh, all this I see on TV with Gail paying the ransom in full? We both know she doesn't have it.

    Fletcher Chase: The lady's made other arrangements.

    J. Paul Getty: But she doesn't have the money. So, uh, what's going on? Come on. Where did she get it? Is she fucking somebody?

    [pause]

    Fletcher Chase: You know, I think I'm finally beginning to understand what makes you tick.

    J. Paul Getty: No, no, you couldn't begin to. So, spill it. What's going on? What's her game? Don't forget, Chase, I have a contract. And I'll enforce it.

    Fletcher Chase: No, I don't think so.

    J. Paul Getty: Oh? Why not?

    Fletcher Chase: Can you hear me? I want to make sure that I'm very clear. Because whatever personal security you presently enjoy comes from me. All right? Those Alsatians limping around the pool? My people trained them. Your security system? My people installed it. The bodyguards? That's right, you rapacious old fuck, you are protected from every threat imaginable, unless that threat happens to be me.

    J. Paul Getty: I suppose this is your way of submitting your resignation.

    Fletcher Chase: Hey!

    [Chase grabs Getty by the arm]

    Fletcher Chase: 'Men of risk'? Isn't that what you called us? 'I risk my money, you risk your life.' You're so full of shit. You and me? We never risked a thing in our lives. We never took the chances ordinary people take. That's why we are what we are now. You're just cheap, Paul. You could have all the money in the world, and you are still a no-good, miserable son of a bitch, and don't you forget it. Goodbye, Mr. Getty.

    [Chase begins to walk away]

    J. Paul Getty: Those children are my blood, Chase!

    [Chase waves at him on his way out]

    J. Paul Getty: They're mine.

    [Getty grabs the paper strip and throws it in the fireplace]

    J. Paul Getty: She took them.