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For People in a Dilemma
Scot 2022-04-21 09:03:02
Movies and books present the same story differently, another good example. Scott plays Millman's youthful impetuousness both well and too far. The book is written by the enlightened Millman, and although it is his own story, it dissolves many direct conflict scenes; and the film shows it, which makes the plot very ups and downs, interesting and impressive. But such an ups and downs plot can't show Dan's protagonist status more. The focus of the film should be the communication between the two, the interaction between teaching and learning, and even the process of Dan's old and new ideas colliding and changing. But in the end, it was inevitable that the theme would be more inclined to sports inspirational themes. Scott is handsome, but those arrogant big lips are just puffed out, it really makes me sick, and I don't like this actor. The actor who plays Socrates is said to be a good actor, but his small hazy eyes are neither humorous nor peaceful. Compared with the cheerfulness in the book, he only laughs once in the film. (I thought I wasn't laughing at all, but I was surprised when I grinned -_-b) Eisenberg's supporting role was pretty bland, but it was quite a joy to see him again on screen. In the shooting scenes, I prefer the shots of San Francisco, the school and the gas station; the gymnastics training has a pommel horse movement, which is really beautiful, but the rest is very incomplete, dissatisfied, dissatisfied; the master and the apprentice together, Dan and Joey are in The interaction when they are together is not enough. The stupid Scott said that he was really infected and cried when he said that he loved gymnastics: You are really lucky to find gymnastics. Thanks to this gymnastics movie for reading some of the good lines from the book I liked, such as grasping the moment, the importance of getting rid of distractions when doing things, and the cognitive part of "failure" in life. From the overall movie viewing point of view, apart from the intuitive and eye-catching conflict, the director does not grasp the depth of the story well enough, and the editing is too hot.
Extended Reading
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Socrates: There is no starting or stopping - only doing.
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Dan Millman: There are no ordinary moments.