The second major feeling is that the crux of the difference between surrealism in novels and movies lies in the linearity and clarity of vision. For example, in the film, the woman picks up milk and smashes the detective to death. Because it is made into one shot, it will inevitably produce continuous Explanatory, which will cause the audience to question the connection with life experience. The novel takes place in a higher and lighter place, which makes it easier for people to actively ignore the existence of experience. The surreal generally needs the foreshadowing of the overall atmosphere in the plot (gradually, slowly and slowly. Slow departure from reality), which can be achieved in both movies and novels, but in a small scene, the sudden and subtle sense of separation from reality is easier to express in novels than in movies, such as Shirley Jackson’s novels .
But on the other hand, the use of visual impact (from the same place as clear expository) is a great tool for creating surrealism, through performance and film industry props that can easily produce novels that cannot be easily outlined scene.
The interesting little thing is that the French heroine repeatedly said the wrong English lines and then continued to scream sadly, and after being beaten, she rushed out of the door and tried to flush down the stairs but went into the toilet.
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