Every aspect of a film is sloppy, which is very powerful.
Even the passionate scenes are extremely sloppy, what's the matter if you don't take off your pants and sit on your body for a few times? !
I thought that Fasha wanted people to do sit-ups with their legs pressed!
The non-original party will be disappointed that the original party is simply going to make a snowman. Bullying me when I'm old, don't you have a bad memory? The details of the story may be almost forgotten, but can't I still see your entire section of the entire paragraph? Maggie Cheung’s face is swollen into Jia Ling, how can I not tell that she is Angela Beibi.
Is the slow pace the standard gameplay of suspense solving themes now? Is it for a solid narrative? Is it to lay out the details? Is it for the atmosphere of horror? I think too much, here is to slow and slow to show the cold rivers and mountains of Northern Europe. You stand on the top of the mountains and shoot at the clouds. The result is that the birds fly around, revealing a corpse that looks like a corn intestine. . this? I thought many ghosts would stand up in the snow.
Every appearance of a snowman in the original book indicates that a murder has already occurred, so readers will form self-suggestion, and when they see the snowman, they will feel confused. That's great, there will be a snowman at every turn to scare anyone. At best, it slows down the rhythm to make this a very compelling prop;
Solve the case? It doesn't exist. In the original book, Harry was chasing after him, was stunned, was misled several times, and took three steps and five steps to get closer to the truth. For example, in the original book, Harry found the body of the hostess of the farm, which was very exciting, but it was changed into a twin stalk. It looked strange, but it was all bluff. The murderer reported the crime directly, and the corpse below his head was thrown directly on the ground, just like an installation art. Is there any IQ? It's so cold to keep Fa Shark from thinking about it? In a scene, both the pros and the villains become mentally handicapped.
Character arc? Emotional conflict? Sorry, I don’t understand this. Even the murderer’s motives are not clear. The murderer will kill whoever wants to kill. They all fall from the sky to complete the gorgeous performance. The movement is so dynamic but it disappears without any flaws. You say this. Who is not the former CIA agent to reason with? The public security in Northern Europe can't be so slow.
The most powerful thing is that I play a multi-line narrative without clearing a line. The branch line in the original book is to explain the real reason why the heroine is so persistent and even crazy about the series of disappearances, and is related to Harry finding the old man’s body in the main line. This passage also helped Harry and the heroine to develop a stronger emotional bond. But in the movie, Nothing, except for knowing that the old man is an alcoholic. Yes, anyway, the heroine is also used to sacrifice.
On suspense, it has no atmosphere; on reasoning, it has no logic; on crime, it has no motive; on emotion, it has no collision.
It was a vast expanse of whiteness, and there was nothing left.
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