Andrei Zulaski is good at making thrillers like "Infatuation" (also translated "Obsessed"), and the movie is not amazing, but Sophie Marceau, a young goddess and goddess in France, liked her two years older. The fourteen-year-old has a strong taste, a talented woman, and a good match. Of course, he said goodbye later. The film, made in 1981, shines with the two roles played by Isabel Adjani.
In the French film industry, Adjani has always been known for her arrogance and arrogance, and she is cautious in filming. Aside from the plot, Adjani's unpredictable, mysterious and moody interpretation of the character Anna can be described as vivid, while the role of the fairy-like female teacher focuses on ignorance and innocence.
One role and two roles lie in the interpretation of multiple temperaments, which is easier said than done. It is not easy to truly enter the dual roles, which requires careful entry and speculation. It's just that the film's brains are wide open, making people a bit stunned and disgusting. It seems that there is always a force blocking the progress of human beings, even if it is a mutual tormented love, finding an outlet just needs to pour out a large piece of depression in the heart, which corresponds to the accumulated emotions.
The so-called obsessive ending was unexpected and suspected that alien creatures had invaded the earth, leaving people confused and shocked. Opposition and shock lie in the heart, and the human affairs are complicated. Obviously, the film has created a mysterious creature of unknown origin. It has the ability to dilute itself and the other party. This colic actually comes from human beings. In the heart of human fetters. How to break through the inner demon is a real problem that needs to be faced.
From the point of view of the film, people themselves have no antidote, but are deeply caught up in it and cannot extricate themselves, or enjoy it and continue to get lost. Originally, getting lost is one of the psychedelic gambling games of our human existence. But I've never been a fan of these kinds of movies, or they're just kid-like tricks. It's purely personal preference and has nothing to do with the quality of the movie. What I like is the images that really cut into our hearts, which can be found in the films of directors such as Bresson, Antonioni and Emmanuel Olmi.
2014.6.5
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