The God in the film is black, which is also a Hollywood mode of thinking. It is true that Morgan Freeman did not perform very well, but his calm attitude still gives people a sense of stability and trust. Jim Carrey can't speak of a major breakthrough in this work starring him or filming for him (well, the previous work "Trumen's World" is too impressive). Jennifer Aniston's role is only to play, of course, the role of a kind girlfriend is really convincing. It's not so much a good movie as it is an interesting love story.
The typical Hollywood mode of thinking is basically that love is supreme-so even an omniscient and omnipotent God cannot handle his love well. After all, love must gradually accumulate bit by bit in life. Let two people live together happily in this world-these uplifting themes and innocent concise intentions should be the mainstream.
The current literary circle is extremely decadent. The boringness of the main melody film is that it is too preaching, and the objectionable art film is that it involves too much anti-social consciousness. A good commercial film does not use more scenery, but a good script, a good story that can resonate with society, and the fragility of the soul can correspond to the moving appearance of reality, which is what a commercial film should be.
After all, life is just "life", there is no need to be obsessed with adding adverbials to "life."
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