I haven't written a movie review for a long time, and my hands are born, but I still have no brains to say a few words.
It is a story with a beginning and an end, a story about finding a lost little lamb, a story in which all the details can be seen but there are still thousands of details that cannot be seen.
It's a love story, a love story that I like.
You say unrealistic, but what does it matter? This stems from the art of life being higher than life. How can you expect to be exactly the same as life? In other words, the odds of an angel like Gheorghe being real are far too small, let's stick to the story and be a little more realistic.
After all, you live thinking that one day someone will save you from the sea of fire, but everyone is more or less struggling in the sea of fire, but in the end, they save themselves. The possibility that you have met your god, the possibility that you will let him stay, the possibility that he will stay, the possibility that he will stay forever, multiply these items by one and multiply them, and there is really nothing left. Few.
So the Kingdom of God has made me happy and fulfilled, and I am grateful. I get a glimpse of the happiness and fulfillment I don't get in my own life, and I'm happy.
I watched Johnny meet his angel a second before he gave up on his messy life, and I thought of Brokeback Mountain. I think about the end when Ennis touched Jack's sleeve and hugged and cried, and I cried again. I see Johnny touching Gheorghe's sleeve, and I'm glad, it's nice.
Your angel is still in this world, and your angel can grow old with you.
I get so much warmth from this film and I am so grateful. I am grateful that I can also feel at ease once, and see that someone is loved and someone is loved.
In the TV series I watched a while ago, when the hero and heroine were together, the heroine said, why do I think this scene seems familiar? The male protagonist said that it is because in a certain corner of the universe, there are people like us who are really experiencing what we have experienced. Then I think so, the warmth and steadiness that the movie brings to me is that I can believe that even if it is fictional, it is not impossible. Gheorghe saved Johnny as well as me, just as life teaches us reality, movies teach us less than reality and more than reality, ugly than reality and beautiful than reality.
A short life, only stories can make life sweet and long.
Johnny has no love, and probably never has. Sex for him was escape and vent, and only after meeting Gheorghe did sex become soft and loving for him. Johnny was a mess when the two men were beasts making love in the mud, like a lamb in Gheorghe's arms, smoothed and tender. He learned to kiss and stroke, but also to care and love.
Love can be a certain degree of torture, or a certain degree of despair, or a certain degree of pain and collapse, but in the end it always turns into redemption. When you receive love, when you give love, when you learn to love, it's all redemption.
What's more, having love is always a happiness above everything else.
Johnny walked into the room and saw a bouquet of flowers and two bottles of water on the dining table. He sits down, and the camera turns to Gheorghe, who is slowly cooking in the kitchen. Gheorghe came out with two plates of pasta, tasted Johnny's plate himself, thought it wasn't salty enough, added salt, mixed it, tasted it again, and then went to eat his plate with confidence. At this moment, they have no sexual desire and passion, and there is no eye contact and communication, and there is only love.
It is a love that can be seen to the end, and a love that can be seen 80 years later.
Thank you so much for letting the audience see such a story and love.
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