Korean movies are really a very special existence. They don't have the heavy feeling of Japanese shadows, but they have a sense of fantasy. This is a very rare advantage of modern movies.
The brilliance of human nature under the torrent of dark history has abandoned all social pressure and returned to human nature, which is standard in classic films. The theme of good expectations for the brotherhood of North and South Korea is reminiscent of "Iron Rain," and the type of detective is a two-person type. The skilled Park Chan-wook can indeed exert great power when he meets a good script.
Movies are all about fantasizing, about putting your favorite woman in your most imaginative story.
Han Ying's dreaminess is largely due to the attractive actresses.
The clutches and reunions of little people under the torrent of history.
The starry night, the boat sailing the night sea. cinematic fantasy elements.
Park Chan-wook's sports shots are really not covered.
The final song raised the plot to the level of artistic infection.
Who was the second person shot by? ---Like the final reversal of "Youth Pi", after the film is good enough, a dark spot for discussion should be added, leaving the darkness of human nature. The script is too perfect.
Lee Byung Hun had to die because of his character and because it was destined to be a tragedy.
The final black-and-white photo was brilliant, and Park Chan-wook did his best work.
The finishing touch is called "one of the top ten classic endings of Korean movies."
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