He is the most precious boy in mankind

Horace 2021-10-18 19:51:19

"Amadeus" should be "Amadeus", take the name in the middle of "Wolfgang Amadeus Mozart" instead of "Mozart" and "Mozart (Biography)". "Amadeus" won 8 awards including best film, best director, best screenwriter, and best actor at the 57th (1985) Oscar Awards, and won the British Academy Award , The French Caesar Award, the Golden Globe Award, and the Los Angeles Film Critics Association Award. But the protagonist of "Mozart" (right say so) is not the hero Mozart played by Tom Husk, but F •Morrie Abraham, the Austrian court music chief, Antonio Salieri. He is also the one who won multiple titles in one fell swoop. Morrie Salieri’s utilitarian beliefs, his love for music, and the sinister jealousy can harm the virtuous The complexity that I hate and hates is vividly interpreted. Of course, this is Salieri in Milos Forman's "Amadeus". The film is cut in 1823, 32 years after Mozart. The aged Sa Leary cried out to Mozart to forgive him. He was guilty and guilty. He killed Mozart. He was so painful that he tried to cut his neck and relieved. He was sent to the madhouse, old and pale, with muddy eyes, scarlet tongue and thinning hair. He looked like a devil. Facing the young priest who came to accept the confession, he arrogantly asked: "Do you know who I am? "In the eyes of God, all beings are equal. "The priest replied calmly. Once Salieri, who produced 40 operas, talked about music provocatively with the priest. He played his tunes, and the priest confessed that he had never heard them. When the "String Serenade" was flowing from his fingertips , The priest's face flickered for a moment, becoming shining, happily rushing to sing the melody all the way, while showing admiration, apologizing: "This is Mozart's." "Salieri is certainly not the first time he has suffered such a blow, "He is my idol. "The long "confession" has finally begun. As a child, Salieri dreamed of becoming a great composer, but his ideal was rudely rejected by his vulgar father. Mozart was already well-known at that time and went everywhere to play music for the emperor, the king, and the pope. Salieri’s father unexpectedly choked to death after eating. This was regarded as “God’s arrangement” by Salieri, and he was finally able to devote himself to music. Emperor Tian did not take pains, and in the musician’s city of Vienna, he eventually became The imperial composer of Emperor Joseph II of the Roman Empire. At that time, he immersed himself in music, was kind to others, and was widely respected until Mozart appeared. Mozart was hired by the Archbishop of Salzburg. Salieri, who rushed to the archbishop's residence to observe, was shocked, because what he saw was a vulgar, rude, laughing, cursing, slutty, greedy, and greedy prankster. The legendary musical genius who composed the first concerto at the age of 4, the first symphony at the age of 7, and the first opera at the age of 11 is really in heaven and hell. But when talking about the Mozart music I heard that day and the Mozart music score I saw, Salieri was still fascinated by it for decades, "This is music I have never heard... I seem to have heard God The voice." His jealousy and his anger are also due to this-"Why did God choose this stupid child to be his tool?!" Mozart, that "worn a wig all over Europe at a young age" "(Chen Danqing) The musical prodigy and genius smiled abruptly. The sharp and funny laughter can cut through and penetrate everything, including Salieri's "confession" of course. He just walked up to the audience noisily. When Mozart wanted to meet Joseph II, Salieri painstakingly composed a "Welcome March". Mozart only listened to it once. Not only did he restore all of it, he also improvised improvements and transformed it into his later opera "Le Figaro". The aria "I don't know what happened to myself" in "The Wedding". For Mozart, it was purely inadvertent and brilliant; but for Salieri, it already constituted serious humiliation and contempt. Mozart completed the opera "Harem Abduction" at the request of Joseph II. The premiere at the Burg Theater in Vienna caused a sensation. Salieri turned from jealousy to hatred, day after day begging the Lord to "take Mozart away." The heroine of "Harem Abduction" is called Constance, and the girl Mozart married without his father's consent is also called Constance. In order to help her husband get a court position, Constance goes to Salieri with Mozart behind his back. Salieri swiftly read the Mozart manuscript from the Constance Ribbon. The manuscript paper without any traces of revision shocked him, "It's incredible, it's beyond understanding." Mozart wrote smoothly every page. Salieri had never seen the beautiful music before, but they seemed to have ready for Mozart, as if there was too much in their heads to take it out. Salieri knows music too well, so his heart hurts too much, and he can't stand it! He saw his lips trembled, his eye sockets flushed, his hand holding the sheet music trembling violently, and his mouth murmured: "Change a note is not perfect, change a syllable structure will disintegrate." Shock, jealousy, deep tingling pain , Finally became angry. He swears not to be at odds with God, and he will do everything he can to destroy God's tool-Mozart. "The Marriage of Figaro", "Don Juan", "The Magic Flute" and Mozart's operas were born and a sensation, but Mozart always struggled with financial difficulties, because Salieri was always in trouble. Mess up. The death of his father gave Mozart a huge blow. In "Don Juan", Mozart awakened his father on the opera stage, letting him vent his pain, dissatisfaction, and anger towards his son. Mozart swung his baton to command, while accepting the stormy accusations that his father had made against him in front of the world. Salieri made "Don Juan" only play five games, but secretly ran to listen to it, risking the pain of schizophrenia-he firmly believed that only he could hear the music in the play. "Friends" is not the patent of the good. This opera suffocated Salieri, but it also made him catch Mozart's death hole: the awe of his father Leopold. Although Leopold is dead, he still controls Mozart mentally. This is really a good way to defeat God and defeat Mozart with one stone. Salieri acted according to his plan. He pretended to be Leopold's ghost and commissioned Mozart to create "Requiem", with a large deposit and a generous reward after the work was completed. This was almost a life-saving need for Mozart, who was destitute and sickened. Mozart really took the order and worked desperately to create it, and he really saw the sign of his dying in "Requiem". Salieri plans to try to kill Mozart as soon as he finishes his work. He imagined that at Mozart's funeral, in the cathedral, all Viennese people mourned silently, and suddenly, the sound of heavenly music sounded. And he, Salieri, Mozart's loyal friend, is the author of "Requiem" and enjoys the endless admiration of the world. Mozart is dead and God can only listen. The dumb eats huanglian-he can finally make fun of God. Mozart's health was deteriorating. Exhausted, he finally fainted during the premiere of "The Magic Flute". Salieri took him home and forced him to work overnight. Mozart was very weak, drowsy and sweating profusely, leaning on the head of the bed, dictating music, and Salieri's transcript. Da Dan. "I'll sleep for a while," Mozart requested. Asleep, not awake. His body was dumped into a public grave in the bitter wind and rain. "Your benevolent God, he destroyed his favorite, and he won't let a mediocre share in the glory." Salieri regards Mozart's death and his life as the will of God-let him witness him How did his music die, and how did Mozart’s music become eternal. Life does not mean victory; death does not mean defeat. Salieri seemed relieved after the "confession". He triumphantly stroked the shoulders of the young priest, self-proclaimed, proud, and contented as a "Mediocre Hero" and "Mediocre Saint". He was pushed to the breakfast on the way, waving his hands. , Like directing his orchestra, pointing and forgiving the sins of mediocrity all over the world. Mozart's funny laughter sounded again, and it reminded me again of Chen Danqing's vivid depiction of him: "Noble and mischievous". The title of this article "He is the most precious boy in mankind" is also Chen Danqing's doting on him. "Amadeus" is adapted from the famous stage play "God's Beloved" by the British contemporary playwright Peter Schaefer. Prior to this, Pushkin's poem "Mozart and Salieri", and the novel "Mozart's" by Flenberg (German writer) "Story" all reinforces that "the man in black" entrusted Mozart to write "Requiem", and the man in black is the rumors of Salieri. "Amadeus" undoubtedly greatly contributed to this rumor. However, Salieri (August 18, 1750-May 7, 1825) was highly respected in the Vienna music scene at the time. The appointment of the court music chief in 36 years gave him a prominent social status. He is also an excellent music teacher, Beethoven, Czerny, Schubert, Liszt, etc. are all his students. Does he have to harm Mozart? Some historians have pointed out that this rumor is so popular that it may be due to the collective contradiction between Italian and Austrian composers at that time. At least the client of "Requiem" is not the mysterious "Men in Black", but the Earl of Walseggen. The purpose is to mourn the dead wife. Mozart's (January 27, 1756-December 5, 1791) attitude towards death was very extraordinary. This can be seen in his letter to his father dated April 4, 1787. He said: “Strictly speaking, death is the true end of life. Death is man’s faithful and best friend. Over the years, my relationship with this friend has become close. His image not only no longer scares me, but also makes me feel peaceful and comforted. Thank God for making me realize that death can bring real happiness. Although I am young , But every day I go to bed, I think that maybe I will not live tomorrow; no one who knows me can say that I have expressed depression and sadness." "Noble, what are noble themes? I am very tired of these noble themes. Ancient. , There is no legend of vitality, why should we continue to write only legends about gods?" Mozart's line in the movie still responds to the scene loudly and loudly today, isn't it? (Do not reprint) Mozart's (January 27, 1756-December 5, 1791) attitude towards death was very extraordinary. This can be seen in his letter to his father dated April 4, 1787. He said: “Strictly speaking, death is the true end of life. Death is man’s faithful and best friend. Over the years, my relationship with this friend has become close. His image not only no longer scares me, but also makes me feel peaceful and comforted. Thank God for making me realize that death can bring real happiness. Although I am young , But every day I go to bed, I think that maybe I will not live tomorrow; no one who knows me can say that I have expressed depression and sadness." "Noble, what are noble themes? I am very tired of these noble themes. Ancient. , There is no legend of vitality, why should we continue to write only legends about gods?" Mozart's line in the movie still responds to the scene loudly and loudly today, isn't it? (Do not reprint)

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Extended Reading

Amadeus quotes

  • Wolfgang Amadeus Mozart: Why must I submit samples of my work to some stupid committee just to teach a thirteen-year-old girl?

    Count Von Strack: Because His Majesty wishes it.

    Wolfgang Amadeus Mozart: Is the emperor angry with me?

    Count Von Strack: Quite the contrary.

    Wolfgang Amadeus Mozart: Then why doesn't he simply appoint me to the post?

    Count Von Strack: Mozart, you are not the *only* composer in Vienna.

    Wolfgang Amadeus Mozart: No, but I'm the best!

  • Wolfgang Amadeus Mozart: [of his great opera "Figaro"] Nine performances! Nine, that's all it's had! And withdrawn!

    Antonio Salieri: I know, I know, it's outrageous. Still, if the public doesn't like one's work, one has to accept the fact gracefully.

    Wolfgang Amadeus Mozart: But what is it that they don't like?

    Antonio Salieri: I can speak for the Emperor. You make too many demands on the royal ear. The poor man can't concentrate for more than an hour... you gave him four.

    Wolfgang Amadeus Mozart: What did you think of it yourself? Did you like it at all?

    Antonio Salieri: I thought it was marvelous.

    Wolfgang Amadeus Mozart: Of course! It's the best opera yet written, I know it... why didn't they come?

    Antonio Salieri: I think you overestimate our dear Viennese, my friend. You know you didn't even give them a good *bang* at the end of songs, to let them know when to clap?

    Wolfgang Amadeus Mozart: I know, I know... maybe you should give me some lessons in that.