It let me know that a drama can use the guise of Huang Bao to really show its meaning. After all, not all audiences are fools, but you can make fools first. Yellow storms are part of everyone's life, and smart people are occasionally attracted to them. In this way, play is like life, and it has brought out the greatest value of a play.
There is no protagonist in the play, it is a piece of fragments from multiple people's lives. Ups and downs, no end. The sigh of grief produced by those who went the wrong way was punished by being deprived of their lives to reinforce the truth of "life is precious", and I will see Arya again when she goes through witnessing the murder of a loved one again. She felt that what she experienced was the torture that was only alive. Therefore, the play is in charge of showing, and you are in charge of understanding.
Thought is a difficult thing to control, far more difficult to control knowledge. Therefore, some people may think that keeping the undercurrent under the surface of the water forever can at least guarantee their safety during his lifetime.
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