What impressed me the most was the long shot of the editing, where all the clues that were useful and misleading appeared. For example, Beth's tears came to my mind as soon as it appeared as an introduction, because no matter how bullshit a movie is, bugs are generally not placed on the protagonist. Another example is the uncle of the driver who was cornered and forced to become a pervert. When he saw his textbook, he remembered that he had already laid a foreshadowing in the long shot.
All kinds of messy academic terms and theories are interspersed in the middle, except for an uncertainty principle that I know, the rest are all... go play with it = =. In fact, there are still many inexplicable places in this film. I think a good suspense film not only needs to be able to justify the suspense, but also needs to satisfy the remaining emotional and moral aspects. So I continue to think that after watching so many American and British dramas and movies, even if I understand the unrestrainedness of foreign cultures, I still feel that the practice of killing my mother for a man who has glanced at it is too embarrassing or2. If the focus is on going It may be smoother to render the anger that has accumulated for a long time. The rest of those who play tones and academic plots just to highlight high-end and connotations that aim to make people dizzy, just let them go. Be careful and obsessed with these, they will become mathematicians who nail their heads through. Oh dear~ I
haven’t read the original work. I didn't intend to compare this with the original, after all, the movie is a movie novel is a novel. However, everything that exists must have meaning. Although I know that the whole plot is to confirm the theory that appeared earlier, I still think that it is better to be an ordinary idiot from an emotional point of view. The stubborn mother who trapped herself in World War II, and the painful daughter torn by morality and desire, both wandered on the edge of a fragile balance. So when the seemingly peaceful small building was thrown into a young tenant with an Oxford dream, everything fell apart in an instant. There are too many poor people in the movie, so only the healthy little girl who grows back her hair is the only one who is impressed.
I really agree with the movie that finding a scapegoat is a brilliant crime method, so when the old man finally threw his guilt to the little male protagonist, he probably also succeeded in throwing away the guilt-filled self who only dared to look from afar and lift the coffin. Come on.
Movies are messy~ so the reviews must be messy too =v=~
View more about The Oxford Murders reviews
