Please use your actions to prove your dream

Mortimer 2021-12-17 08:01:18

This is still a mainstream animation film. The theme cannot be separated from the pursuit of dreams and inspiration that Hollywood animation has always admired, and it cannot be separated from the personal value and self-realization that Americans have always admired. Therefore, even if it adds all kinds of cool elements to the outer packaging, it is still an animated film with a very traditional theme in nature. This may partly explain why this year's North American summer file suffered a fiasco: In addition to the crowding of animated movies and schedule issues, Americans have long been accustomed to this kind of package. Even if they get the Chinese market, their domestic audiences are basically familiar with this kind of Hollywood animation routines, and they can just enjoy it as a fast food in the theater. , At least when the audience "eats" it is quite cool. However, as far as the author is concerned, even though this work is mediocre, it still brings me some feelings. The film tells how a snail Turbo (English original meaning turbine) who aspires to become a racer can truly embark on the track to realize his dream. This type has formed a set of fixed patterns in Hollywood: Beginning (description of the protagonist) , The contrast between the dream and the actual environment)-Transition (encountering cynicism, self-depression and suspicion from the outside world and relatives and friends)-Adventure (acquiring magical power by accident, learning and training in a new environment)-Transition (beginning The various efforts towards the ultimate stage of the film)-the trough (suffering some kind of betrayal, or the frustration after learning the truth)-to the climax (stepping on the final stage, decisive battle or final competition, there must be a variety of accidents and accidents in between. Difficulties)-Reunion (final victory is obtained, and the fate of oneself and those around him is reversed). It's just that Hollywood cleverly used a variety of entertainment elements and details to make up for the thinness of the story, making the audience unintentionally aware of the singular nature of the product. Modeling is the same in characterization. Subject to the solidified characterization, the protagonist is only a carrier of the theme of the whole movie without a soul. He is impulsive, dream-loving, and inspiring to the end, but he is very inspiring. It is difficult to make a special impression. It's the protagonist's brother, the fat snail that has long accepted his life, which touches me a little bit. The fat blue snail in the film is both the protagonist’s elder brother and the equivalent of his father. His idea of ​​life is very simple. Some eat and some do are enough, even if the same day is repeated every day. Gradually becoming numb—for example, watching his companions who were caught by the crows indifferent every morning—he had no illusions about life. Another part of his life goal is to protect his only relative. He is equivalent to the opposite of the protagonist, playing the role of setting off and shaping the protagonist: on the one hand, he keeps hitting the protagonist’s daydreams, while on the other hand he keeps on protecting his brother’s shortness, even if his brother later destroys what he has always been proud of. Stable day. Although the role of this character for the protagonist in the whole film is basically reverse (except for the realization of his brother's efforts and persistence at the end), he is indeed a very real existence in life. In the eyes of many relatives around me, a silly junior who is full of illusions and pursuits of life often makes them fuck Annoying object. Parents and elder brothers will lament that these younger generations are too innocent, have not experienced the tempers and winds of life, and always imagine life too beautiful. These reasons cannot be said to be unreasonable, just as the protagonist in the film relied on almost impossible actions again and again to finally impress his brother. Compared to the whimsical day-to-night, the brother who has experienced the baptism of life is obviously more willing to believe in down-to-earth actions. This is also the reason why he has been opposed to his brother in the tomato garden: you can't show me the actual actions, why let me Believe that your dream can be realized? Another reason for opposition is from family affection. When the protagonist embarked on the coveted racing circuit, he still tried every means to dissuade the audience, to some extent, to make the audience feel that this brother is too stubborn and unreasonable, but after thinking about it, he is not out of timidity and resignation of life. Along the way, he has actually admitted from the bottom of his heart that his brother’s achievements surpassed the existence of a snail, but he was afraid that his brother would die on a dangerous track, so he chose to oppose it, compared to the support of his friends around him. This elder brother’s stance seems so eye-catching, but it is from the heart: "You put your wishes on him, but have you ever worried about his life, death and safety like your relatives?" He objected, because it was him. The only brother. The author doesn't fully agree with this kind of almost doting Zhouhu behavior, because it stifles the idea of ​​countless young people, but I can understand the motives behind it. For the protagonist, the brother’s approval is more important than any other external identification. Just like the father’s identification with their children in real life, the younger generations of each generation are like this, they mock and disdain at the same time. The lives and concepts of the elders, on the other hand, are eager for the affirmation of the elders. Throughout the whole film, the protagonist has been striving for the approval of his brother. He hopes that his brother will support his dream and support him to participate in the competition. He hopes that he can encourage him and praise him before the game, although most of what he gets is cold water. But it can be seen that he attaches great importance to his brother's opinion. When he finally arrived at the end, enjoying the cheers and applause like a tsunami of mountains, does this snail really care or understand the attention of the tens of thousands of viewers? I don’t think it’s necessarily, but the elder brother rushed to hug him the first time. At that moment, he was most surprised and happy. The relationship between the brothers is very detailed, and it can be said to be one of the few highlights of the lack of character relationships in the whole film. The almost impossible actions again and again finally impressed his brother. Compared with the whimsical all day long, the brother who has experienced the baptism of life is obviously more willing to believe in down-to-earth actions. This is also the reason why he has been opposed to his brother in the tomato garden: you can't show me the actual actions, why let me Believe that your dream can be realized? Another reason for opposition is from family affection. When the protagonist embarked on the coveted racing circuit, he still tried every means to dissuade the audience, to some extent, to make the audience feel that this brother is too stubborn and unreasonable, but after thinking about it, he is not out of timidity and resignation of life. Along the way, he has actually admitted from the bottom of his heart that his brother’s achievements surpassed the existence of a snail, but he was afraid that his brother would die on a dangerous track, so he chose to oppose it, compared to the support of his friends around him. , This elder brother’s stance seems so eye-catching, but it is from the heart: "You put your wishes on him, but have you ever worried about his life, death and safety like your relatives?" He objected, because it was him. The only brother. The author doesn't completely agree with this kind of almost doting and protective behavior, because it stifles the idea of ​​countless young people, but I can understand the motives behind it. For the protagonist, the brother’s approval is more important than any other external identification. Just like the father’s identification with their children in real life, the younger generations of each generation are like this, they mock and disdain at the same time. The lives and concepts of the elders, on the other hand, are eager for the affirmation of the elders. Throughout the whole film, the protagonist has been striving for the approval of his brother. He hopes that his brother will support his dream and support him to participate in the competition. He hopes that he can encourage him and praise him before the game, even though what he gets is mostly cold water. But it can be seen that he attaches great importance to his brother's opinion. When he finally arrived at the end, enjoying the cheers and applause like a tsunami of mountains, does this snail really care or understand the attention of the tens of thousands of viewers? I don’t think it’s necessarily, but the elder brother rushed to hug him the first time. At that moment, he was most surprised and happy. The relationship between the brothers is very detailed, and it can be said to be one of the few highlights of the lack of character relationships in the whole film. The almost impossible actions again and again finally impressed his brother. Compared to the whimsical day-to-night, the brother who has experienced the baptism of life is obviously more willing to believe in down-to-earth actions. This is also the reason why he has been opposed to his brother in the tomato garden: you can't show me the actual actions, why let me Believe that your dream can be realized? Another reason for opposition is from family affection. When the protagonist embarked on the coveted racing circuit, he still tried every means to dissuade the audience, to some extent, to make the audience feel that this brother is too stubborn and unreasonable, but after thinking about it, he is not out of timidity and resignation of life. Along the way, he has actually admitted from the bottom of his heart that his brother’s achievements surpassed the existence of a snail, but he was afraid that his brother would die on a dangerous track, so he chose to oppose it, compared to the support of his friends around him. This elder brother’s stance seems so eye-catching, but it is from the heart: "You put your wishes on him, but have you ever worried about his life, death and safety like your relatives?" He objected, because it was him. The only brother. The author doesn't fully agree with this kind of almost doting Zhouhu behavior, because it stifles the idea of ​​countless young people, but I can understand the motives behind it. For the protagonist, the brother’s approval is more important than any other external identity. Just like the father’s identification with their children in real life, the younger generations of each generation are like this. They mock and disdain. The lives and concepts of the elders, on the other hand, are eager for the affirmation of the elders. Throughout the whole film, the protagonist has been striving for the approval of his brother. He hopes that his brother will support his dream and support him to participate in the competition. He hopes that he can encourage him and praise him before the game, even though what he gets is mostly cold water. But it can be seen that he attaches great importance to his brother's opinion. When he finally arrived at the end, enjoying the cheers and applause like a tsunami of mountains, does this snail really care or understand the attention of the tens of thousands of viewers? I don’t think it’s necessarily, but the elder brother rushed to hug him the first time. At that moment, he was most surprised and happy. The relationship between the brothers is very detailed, and it can be said to be one of the few highlights of the lack of character relationships in the whole film. To some extent, the audience feels that this brother is too stubborn and unreasonable, but when you think about it, he is not out of timidity and resignation of life. Along the way, he has actually admitted from the bottom of his heart that his brother’s achievements surpassed the existence of a snail, but he was afraid that his brother would die on a dangerous track, so he chose to oppose it, compared to the support of his friends around him. This elder brother’s stance seems so eye-catching, but it is from the heart: "You put your wishes on him, but have you ever worried about his life, death and safety like your relatives?" He objected, because it was him. The only brother. The author doesn't fully agree with this kind of almost doting Zhouhu behavior, because it stifles the idea of ​​countless young people, but I can understand the motives behind it. For the protagonist, the brother’s approval is more important than any other external identification. Just like the father’s identification with their children in real life, the younger generations of each generation are like this, they mock and disdain at the same time. The lives and concepts of the elders, on the other hand, are eager for the affirmation of the elders. Throughout the whole film, the protagonist has been striving for the approval of his brother. He hopes that his brother will support his dream and support him to participate in the competition. He hopes that he can encourage him and praise him before the game, even though what he gets is mostly cold water. But it can be seen that he attaches great importance to his brother's opinion. When he finally arrived at the end, enjoying the cheers and applause like a tsunami of mountains, does this snail really care or understand the attention of the tens of thousands of viewers? I don’t think it’s necessarily, but the elder brother rushed to hug him the first time. At that moment, he was most surprised and happy. The relationship between the brothers is very detailed, and it can be said to be one of the few highlights of the lack of character relationships in the whole film. To some extent, the audience feels that this brother is too stubborn and unreasonable, but when you think about it, he is not out of timidity and resignation of life. Along the way, he has actually admitted from the bottom of his heart that his brother’s achievements surpassed the existence of a snail, but he was afraid that his brother would die on a dangerous track, so he chose to oppose it, compared to the support of his friends around him. This elder brother’s stance seems so eye-catching, but it is from the heart: "You put your wishes on him, but have you ever worried about his life, death and safety like your relatives?" He objected, because it was him. The only brother. The author doesn't fully agree with this kind of almost doting Zhouhu behavior, because it stifles the idea of ​​countless young people, but I can understand the motives behind it. For the protagonist, the brother’s approval is more important than any other external identity. Just like the father’s identification with their children in real life, the younger generations of each generation are like this. They mock and disdain. The lives and concepts of the elders, on the other hand, are eager for the affirmation of the elders. Throughout the whole film, the protagonist has been striving for the approval of his brother. He hopes that his brother will support his dream and support him to participate in the competition. He hopes that he can encourage him and praise him before the game, even though what he gets is mostly cold water. But it can be seen that he attaches great importance to his brother's opinion. When he finally arrived at the end, enjoying the cheers and applause like a tsunami of mountains, does this snail really care or understand the attention of the tens of thousands of viewers? I don’t think so, but it was the brother who rushed up to hug him in the first place. At that moment, he was most surprised and happy. The relationship between the brothers is very detailed, and it can be said to be one of the few highlights of the lack of character relationships in the whole film. While they mock and disdain the lives and ideas of their elders, on the other hand, they are eager for the affirmation of their elders. Throughout the whole film, the protagonist has been striving for the approval of his brother. He hopes that his brother will support his dream and support him to participate in the competition. He hopes that he can encourage him and praise him before the game, even though what he gets is mostly cold water. But it can be seen that he attaches great importance to his brother's opinion. When he finally arrived at the end, enjoying the cheers and applause like a tsunami of mountains, does this snail really care or understand the attention of the tens of thousands of viewers? I don’t think so, but it was the brother who rushed up to hug him in the first place. At that moment, he was most surprised and happy. The relationship between the brothers is very detailed, and it can be said to be one of the few highlights of the lack of character relationships in the whole film. While they mock and disdain the lives and ideas of their elders, on the other hand, they are eager for the affirmation of their elders. Throughout the whole film, the protagonist has been striving for the approval of his brother. He hopes that his brother will support his dream and support him to participate in the competition. He hopes that he can encourage him and praise him before the game, even though what he gets is mostly cold water. But it can be seen that he attaches great importance to his brother's opinion. When he finally arrived at the end, enjoying the cheers and applause like a tsunami of mountains, does this snail really care or understand the attention of the tens of thousands of viewers? I don’t think it’s necessarily, but the elder brother rushed to hug him the first time. At that moment, he was most surprised and happy. The relationship between the brothers is very detailed, and it can be said to be one of the few highlights of the lack of character relationships in the whole film.

View more about Turbo reviews

Extended Reading

Turbo quotes

  • [repeated line]

    Guy Gagné: No dream is too big, and no dreamer... too small.

  • Turbo: [arriving into work] And so begins another wonderful work week at... the plant.