Recently, I have been deeply immersed in the beauty of kk, and I feel more and more that this person is seducing people with every gesture, and his voice is thicker, but very flavorful. I just started watching "Private Buyer", which was 16 years old, and then I watched "Sils Maria", which was 14 years old. I feel that every frame in the film can be used as a postcard. Well, there are several scenes, I think KK's acting skills are still very online. The ambiguous relationship between Caroline and Valentine is just right. Caroline refused to play Helena at first. Later, her thoughts were shaken by the director, and she was persuaded by Valentine. Until she accepted it naturally, it was actually a process of her psychological transformation, the process of letting go of Wilhelm's death. When she was with W's Rosa wife, she felt that the story suddenly became heavy, and the background music became extremely emotional. I don't think Caroline and Valentine's emotional line in this story is the core, I just think it's a very necessary booster, there is no V vs C The change of feelings, there is no C's re-modeling of "Snake of Maloya", she needs to wake up from Sigrid. The ambiguous relationship between Caroline and Valentine is just right, especially when the two protagonists in the movie are on the script. V is the Sigrid in the script and story. She is self, entangled, and unmoved. It fits Caroline's definition of Sigrid and completely fits the characteristics of attracting Helena. When C is attracted by V, that is when Caroline enters the role of Helena. Why do you say that V is unpredictable? I think that in the play, she was dizzy and vomited when she went out of the car at night, which is a swaying performance. In the end, after V's sudden departure, all of V's feelings returned to normal in appearance. As she said, it was acceptable to take pictures, but not to be interviewed. Her emotional transformation of the character experienced a plot similar to the script. The movie goes to the back, and even without V, the new assistant doesn't understand herself, and she solves the problem in a mature way. When he was young, he played Sigrid, a suicide of Helena's actor. C has complicated feelings for the role of Sigrid. On the one hand, he has successfully created this role, and on the other hand, the role itself is too cruel. C is sympathetic and sympathetic to Helena, but a strong person refuses to be such a person, and pleading hard can't get a look back from his lover. In the final period of the script rehearsal, she asked the actor Jo-Ann who played Sigrid, in Helena's way, why not give Helena a few seconds to look back, as if she was praying for an answer to the damage V's sudden departure caused to herself, and J to her The answer to V is the answer to V, Helena, a poor woman, but the story has to move forward to see what comes next. At the end of the movie, C and the young playwright discussed the movie theme of mutants. This is a form that C has never been in contact with. In the end, he was not convinced. This is the theme that V likes. When he knew the actor Jo-Ann, V tried his best. Expressed that Jo-Ann was an actor she liked, but in the end, C couldn't accept this content. It is a kind of echo from the director. Even if V left at the beginning, the two would still be very different. V tried her best to say that Jo-Ann was an actress she liked, but in the end, C couldn't accept this content either. It is a kind of echo from the director. Even if V left at the beginning, the two would still be very different. V tried her best to say that Jo-Ann was an actress she liked, but in the end, C couldn't accept this content either. It is a kind of echo from the director. Even if V left at the beginning, the two would still be very different.
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