pointless, boring

Evelyn 2022-04-19 09:02:43

What is the film trying to convey?
1. The crisis of middle-aged actresses is mixed with reflection on the role of women in male society
2. The homosexuality of middle-aged women towards young women is similar to "Footprints". A homosexual obsession extends to an obsession with life and youth, using sex as a source of energy.
3. Actresses, their background group portraits, their duality, and their many shackles different from male actors.
4. A play and the feminism he wanted to show. Conflict between different age groups of female roles, a transformation of the oppressive level of an angry daughter-in-law becoming a mother-in-law.
These four relationships and contradictions overturned each other, one after another, interspersed in all aspects, a movie seems to be a national exhibition hall, one time it goes into the China pavilion, the other time it goes into the Swiss pavilion, and the other time it goes into the Korean pavilion. Excuse me, what is the theme of this exhibition?

The actor's performance was extremely disappointing.

Juliet Binoche may be the arrogant linguistic and cultural milieu of the French, or it may be her middle-aged urgency that makes her performance in the last few English-language films extremely disappointing. Think of "Red, Blue and White" and "Paris, I Love You". The oppression of women in French society is a very, very good subject, and the story of this film is also a very good entry point, but perhaps the director (absolutely blameless, there are big problems with casting and direction), Juliet is very Effort, Stewart, as always, but there is no spark between the two, which makes the movie bland. The only bright spot is the young actress, not how well she performs, but at least her role is explosive.

The slow-paced, detailed

plot and scenes have nothing to do with the story. It seems that a film was made in the form of a documentary. The director set up the camera and began to follow the whole process of Juliet as a middle-aged actress taking on a certain drama. This isn't a movie, it's like 200 news photos were taken and put on the newspaper, and the reader is left to find the clearest one. Later, when I saw that the director was the one who directed "Carlos the Lone Wolf", I understood that that film is the representative of the running account. This kind of director can also be chosen again and again, which is really a phenomenon unique to France.

This movie reminds me of the Korean movie "Actresses" with the same theme. It is also about the conflicts between different generations of actresses, the stories of actresses themselves and the duality of actresses as women. Character selection, plot grasp and rhythm grasp are far stronger than this film.



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Extended Reading
  • Cleta 2022-03-18 09:01:06

    like it or not, Stewart is a super talented actress

  • Grady 2022-03-26 09:01:11

    I don't think I'm talking about the intimacy between stars and assistants. I'm talking about a mixture of "women" at all. I'm so tired...and I really want to watch that drama within a drama...

Clouds of Sils Maria quotes

  • Christopher Giles: Tastes can get worn out, kind of like desire.

  • Maria Enders: [Referring to the proposed role of Helena] Time's gone by and she can't accept it. Me neither, I guess.

    Klaus Diesterweg: There is no antagonism. It's the attraction of two women with the same wound. Sigrid and Helena are one and the same person. One and the same person. That's what the play's about. And because you were Sigrid, only you can be Helena now.

    Maria Enders: How can you be so sure?

    Klaus Diesterweg: You know as well as I do that Wilhelm Melchior had been working on a sequel for years.

    Maria Enders: Yes. But it was about Sigrid at 40 years old.

    Klaus Diesterweg: No, it was about Sigrid 20 years later became Helena.

    Maria Enders: So who's going to play Sigrid?

    Klaus Diesterweg: Jo-Ann Ellis. She did a superhero movie that just opened in the States.

    Maria Enders: And besides that?

    Klaus Diesterweg: Not much. She's 19. She's a lot more interesting that her interviews and profiles. She has a theatrical background. She doesn't want to be swallowed up by Hollywood. She admires you and is willing to pull out of her other commitments.

    Maria Enders: I'll listen carefully. But to be honest, the role scares me. Helena scares me. I'm in the middle of a divorce. I feel alone, and vulnerable. Probably too vulnerable to do this.

    Klaus Diesterweg: If you refuse, I'll understand, but it will be a missed opportunity, especially for Wilhelm.

    Maria Enders: I should get going.

    Klaus Diesterweg: Excuse me, but I won't be staying for dinner. Good evening madam.

    Maria Enders: Klaus, I have another reason. Susan Rosenberg. She played Helena with me.

    Klaus Diesterweg: I remember Susan Rosenberg.

    Maria Enders: She died in a car accident a year after. It's a superstition; I've always associated her death with Helena's suicide.

    Klaus Diesterweg: She was a lousy actress who didn't understand a thing about the role. And her conventional style of acting highlighted the modernity of your performance. You should be grateful to her.