There is no discomfort in the so-called violent and bloody scenes. It is natural that the policeman who has been twitching half of his face has no extra words. He just listened, watched, didn't tell others, he shot when he should, and did everything without making a sound.
The pain of losing a child, a terminally ill wife, a disabled good partner, a dead companion, a loan shark recovery, he felt responsible for everything.
The owner of the car factory is a lovely person.
A crippled and stubborn man abandoned by his family, he is a lonely person. But fortunately, he can still draw, and he really likes what he thinks after seeing the flowers in his mind, as well as the style of his painting. He painted the picture that foresees the death of his best partner, but he will live after the attempted suicide.
The finale shots and music make for a natural breakdown. They will surely die, and there will be a decent way to die. A knowing smile is worth a thousand words. The little girl was flying a broken kite that could not fly on the beach. The camera was slowly pushed to the sea. Two shots were fired, and the little girl's face was blank.
The combination of Joe Hisaishi and Takeshi Kitano is a good audio-visual fit. The layout of Kitano Takeshi is very similar to a painting, and many sub-shots can be regarded as an independent painting.
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