like two me

Cassandra 2022-03-20 09:02:32

A / If a rigid concept of boundaries is presupposed, then the film can only show or be trapped in boundaries. But the boundaries that Hagrid portrayed in this work are constantly floating and looming. Starting from the tilt of the building under the street slope when the title was released, the film enters a "life" world where many sounds and distortions of perspective coexist. Heterosexual couples breaking into the fixed camera, gay couples walking into the swimming pool through the slow mirror, and even unstoppable voices blocked by their figures in the swaying subway space... They are all indifferent but still The strange feeling of the diaphragm breaks the "room" created by the camera for the protagonist. But Hagrid doesn't stop at smoothing this coexistence. He repeatedly rubs the feeling with intimate and improvised exchanges, affirming that its plain density collides with its "reasonable" form. In the end, this split identity experience is wrapped up in a clumsy way of acting, turning into a wisp of smoke drifting in the distance outside the window.

Orin 2022-03-16 09:01:06

Of course, it cannot be compared with the time before sunrise and sunset. The dialogue is not as attractive and moving as the former. There are too many sex scenes, which take away the role of the movie, but fortunately, the performance is invested and the feelings are sincere.