Finished overnight. The rendering of the horror atmosphere in the first few episodes is super in place, and then I can only admire the author's invincible logic. But maybe the age of the anime audience is gradually decreasing. I probably remember that from the beginning of "Your Lie in April" and the protagonists are getting younger and younger... I don't know if it is to show the precociousness of the children. Or to set off the unpredictable fate of the protagonists in the play.
After talking about the irrelevant, I started to review the plot: On the farm, a mother and 38 children without parents lived happily. One day, the eldest two children, Emma and Norman, found out that the child Kony was not picked up by his adoptive parents but The cruel truth of being eaten by ghosts. The two began to discuss escape matters. This behavior was discovered by Ray. Gilda and Winter were later informed.
The success of the escape in the end is probably predictable, otherwise the plot cannot continue hahaha. But from the very beginning of Emma's naive desire to take everyone along, Norman to want Emma to be good, and Ray to only help Norman and Emma, the differences in the characters of the three are very obvious. The later nun was right, Emma's biggest flaw was naivety, Norman was weak, and Ray was determined to give up faster.
But these three little angels are so touching. Although Emma is naive, she is not brainless. In many confrontations between Norman and Ray, Emma is the one who finally pointed out the cruel truth. She can also smile sweetly at her mother after knowing the truth. , She is the one who finally escaped with everyone after Norman sacrificed himself and Ray gave up himself.
Norman's personal favorite, the confrontation with Lei is very high-energy, gentle and lovely, the parting part with Emma is too sad, since he climbed the wall, he has prepared everything for Emma and Lei, this brain I am amazed. Mission Impossible, the tricks of the game are really a set of tricks... But just for Emma and Norman who thinks about everyone, I wish he was more powerful. Mom should have other arrangements for him.
Ray, you can guess that he is his mother's child later, he has memories since birth, and it can be said that his life is the most painful. He soberly and coldly realizes that he can only save a few people, to be precise, Emma and Norman , so after the first failure, he planned to use self-immolation to take revenge on the world. In the end, it was Emma Angel and Norman's plan that pulled him.
Both mother and nun are human beings who have survived under the rules, but the mother is calmer and more aware of the world, and the nun has fantasies about the sky. I have to say that my mother is really beautiful in it, her eyes are beautiful and scary, but fortunately, she finally returned to herself; the nun's face and art were scary throughout the whole process, but she was really moved by the whitewashing in the end.
In the whole film, the rhythm of the plot is well grasped, the reversal is enough, the opponent's play is high-energy, the logic is clear and there are no obvious loopholes (of course, I didn't look back to think); the music is perfect, the atmosphere is created, and the character creation is also sufficient. A really well done work, I love it.
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