After watching the first season of the animation without reading the original comics, I still have nothing to say. I recommend this animation to everyone.
An orphanage (factory), a group drama, a simple escape story, layers of suspense, delicate psychological performance of characters, and rich details. In the increasingly impetuous Japanese animation industry, it can be said to be a good animation. model!
Although the main theme of the first film is escape, but compared with many action scenes that show a high level of painting, what is more eye-catching is the "literary drama" with full of subtle expressions and detailed descriptions of the characters in the play.
For example, Norman's mentality of being shipped out, confused about his escape plan, and mixed feelings for his friends is not represented by a large psychological monologue like some animations, but by his in front of the hand-washing sink. Actions and facial expressions are used to express, and even without too much music, it achieves the best effect, and the audience's mood is as high as Norman's. Another example, looking at the escaped children in the final words, Isabella recalled how she had failed to escape before: without a companion, facing the cliff outside the high wall and the trees that were not tall enough to tie a rope, she was helpless. This section of reality and memories are intertwined and contrasted, and the details are used to give the audience rich hints, which is really excellent.
It is really commendable to see such a carefully produced work at a time when many animation productions are "collapsed".
The outstanding aspects of painting are obvious to the audience, so I won't go into details.
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