Remember to read and write:
If I want to give five stars the first second I watch it, I know I will give it five stars.
Tactile Aesthetics Wow, texture, touch. Body, skin, flesh.
The music is awesome.
French, a woman's voice. Full of emotions, like paper dipped in water. Almost poetic dialogue, rhythm and rhythm of language.
And men keep denying it.
Sound is our space.
Terrible visual imagery, terrifying history. The shock of the sound and picture counterpoint is so powerful.
The food, the weather, the water are all terrifying.
Loudly! Inequality, anger.
"Atomic" "Peace" "Attention"
"Who are you? You hurt me. You are so kind to me. How can I doubt that this city is born for love? How can I doubt that you are born for my body? You like me. How Great thing. You make me happy. Suddenly, how slow, how tender. You can't understand. You hurt me. You were so nice to me. You hurt me. You were so nice to me. I had time. I beg you, devour me. Why don't you do this? In this city, on this night, which is so similar to any other night, why don't you? I beg you." ...
Finally a face appeared, wonderful...
I like her so much.
The two of them have different acting methods, hahahaha, do you think the male is obviously more restrained and jerky?
My God. She is in the light and he is in the dark. Is he "dead"? Memories and reality meet.
"I only get sleepy at dawn."
"I miss you. But, I won't mention it again."
To fall in love with a German, fall in love with a person. Nation...the conflict with humanity.
"'Once upon a time', when we were in love."
Only those who have truly loved can say such things.
"I'm starting to forget you. I shudder to forget your love so deep."
The light of the water waves is reflected in the izakaya in turn.
This one in the pub is really good.
Is she waiting for him?
There are more and more pitch angles.
With the monologue, the memory, the mood is getting deeper and deeper.
The living can die and the dead can live.
"By then, you'll be a song."
Choose distance.
Wonderful. time, space.
OMG...
The ending is also great.
Great movie, will definitely watch it a second time. After wandering in dreams and memories, the individual monologues are magnified, and the conversation goes back and forth, transcending life and death. This "cheap story" is full of emotion in staring and telling. The beauty of artistic conception is almost pathetic, cruel and eternal. Wong Kar-wai's "In the Mood for Love" is similar in artistic conception to this one.
The change of the heroine is gratifying. At the beginning, she was really cheerful and even a little naughty, but the real film gradually deepened and unfolded, revealing more and more her scars, that is, her core. People live with memories, and people resist forgetting, but what can memories bring? The wounds of war, unacceptable love, and death, death over and over again in memory, rebirth and death, death and rebirth. What to do in Hiroshima for a few days? We do not go to die for love. The first close-up of the hand flashes back quickly, and the two shots show the beauty and shock.
The audio-visual use of images is also truly outstanding. The beauty of Hiroshima has an indescribable charm in black and white images, full of pathetic poetry.
The beauty of Duras' choice of words and the beauty of French rhythm are unparalleled.
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