But as far as the film itself is concerned, the plot is flat. Two men who were supposed to be good friends were moved by the same woman, the painter of Plato and the priest who succumbed to the flesh. The woman then went to the Inquisition, and a few years later became a lunatic and was released to find her lost daughter. In this process, the original two men, one good and the other evil, each embarked on a different path.
Fortunately, it does not focus on boring sensationalism like "Beethoven", but focuses on exaggerating the historical trend and the fate of the country and the country, and it has a corresponding sense of heaviness. Used the background of the Spanish Inquisition and Napoleon's invasion of Spain. The tone and lensing are also very similar to those large-scale oil paintings with historical themes.
In short, it is a film with a PASS plot, suitable for watching pictures.
View more about Goya's Ghosts reviews