a bunch of colorful balloons took the house and pulled it out. When the ground rises, I know how to smile, yes, balloon flying, which boy has never had such a dream.
The story after that feels a bit...uncoordinated. I don’t like watching old people get beaten and stumbled all the way. That kind of scene is like watching a tooth extraction, which is a kind of mental torture to me; I don’t like watching a person as a child. 'S hero suddenly became a big bad guy, just because I couldn't catch a stupid bird; I don’t understand why giving up saving that stupid bird in order to put out the fire in the house became a give her up; I especially don’t accept the villain’s last The juncture falls into the abyss, and the good guy can get his ship as a reward. The simple logic of slashing evil dragons and equipment in this game is full of the bloody atmosphere of the primitive accumulation of capitalism (ok I admit that it is nonsense).
I admit that the real story only begins after half an hour, and the first part of it does not affect its integrity. I admit that the second half is tense, conflicts, and a lot of jokes. Although there is a bit of logic flaws, it does not affect its integrity. As far as the play is concerned, the industry standard of American animation blockbusters is still maintained; yes, I admit that the following stories are very joyful to watch and don’t take any brains, but after the first fifteen minutes, it feels like... The beautiful girl leads you into an elegant room and sits down, boiled water and played the piano, fragrant and divided tea. You thought that the following dinner must be a terrific meal, but she brought two pieces of fried chicken and asked you to hurry up and eat. Why should I go?
Thinking of looking at Wall-E, it feels similar. When Wall-E saw green plants in the ruins for the first time, tears burst into my eyes; the scene where Wall-E met EVA also made me smile knowingly; until the pile of big fat guys appeared in the back At the time, I started to be a little impatient. Who cares about the life and death of these dogs? What I want to see is the pair of robot lovers!
From the perspective of these two films, Pixar has found a cooperation model with Disney, and also found its own narrative rhythm: the first fifteen minutes are for lonely adults, and the next fifteen minutes are for those dead texts. The little dreams and feelings deep in Qing's heart, the next hour or so is for the little pot friends to see, let them happily eat the popcorn in their hands, drink Coke, go out happily, maybe buy two small pots Bring the toys home, happily continue to imagine a better life tomorrow.
Suitable for all ages, men and women take it all, the elegance and the common appreciation, the official and the people enjoy the same, this is the highest state, good, very good.
I recognize Pixar’s direction, so I happily ate the fried chicken nuggets it gave me, wiped my mouth, and went home. In just fifteen minutes, it's very good.
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