"Weathering With You" is a very juvenile work. It develops from the rhythm of the whole story to the climax and ending. The fresh smell of the garden after the rain blows on the boy's body. What's rare is that it's not secondary at all.
From the core point of view, Makoto Shinkai's "Weathering With You" is no different from Nolan's "Interstellar", both tell a story of "calling for love in the center of the world". Compared with the fresh and lovely young images, almost all the adults in the works are hideous. Shinkai Makoto is really an interesting person.
No matter what, we will grow up eventually. Although we don’t know when we grow up, when we realize it, we all understand that we are no longer the children we used to be – this is probably a process that everyone will go through.
As a teenager, you may have imagined that there is someone you can give everything for. But growing up is also a process of getting farther and farther. Now we can't tell that person personally: I have grown up and can put my love for you in my memories...
In any case, liking someone is a beautiful thing, right? Even if this love is not unforgettable, not 100%, it does not start and end as in the story, and it can't be called "love" - in that person who has never experienced love, but stubbornly believes in the absolute The age of love; the age when I have never given anything, but are always ready to give everything and get it all...
Many voices on the Internet criticize the script of Weathering With You for not being able to stand up to scrutiny, and there is a problem with the logic. I think it actually just means that the world of the teenagers in this story is isolated from adults. Young people argue about right and wrong, adults only see the pros and cons. The core of this story is far more complicated than your name. It's not that it's not easy to understand, but it's hard to accept. After all, this is an adult world.
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