(completely unreasonable)
I feel that Makoto Shinkai has never seen commercial Hollywood musicals. The reason why he used a lot of MV-style clips is because these contents are not important. If it was Makoto Shinkai in the past, he might just throw away these clips. From the very beginning (she and her cat), the music is getting more and more full, although the last work was a very good commercial work that was intentional, because the ingenuity of the picture may still be maintained, in this work there are many The place is particularly reluctant (it seems that closing your eyes will not lose anything). I have always used the subtle distance as a tool to understand Makoto Shinkai, and I can understand it by measuring the distance. Although this is not surprising (I like to hear that the other party is smaller than me and the distance is shortened in an instant), the pure world system can no longer be used. The author's own wishes are satisfied, so the distance becomes more troublesome.
Two betrayals: the society no longer appears as the background of the world, and the world disaster has not happened, so the things that are repeatedly confirmed by the male protagonist of the world are a bit of a line departure, but this kind of departure from the stage of reading lines feels a bit author's own. Bad taste. What distance becomes a reality bit by bit, the determination cannot happen only in the heart because of inability, but precisely because it can be done, society itself becomes a part that must exist outside the world. The progress from the early distant empty and dense emotions (Makoto Shinkai's Star Age) to the current approach (Rain & Shinkai's Sky Age) inevitably destroys the core beautiful sense of failure (even clear) in the world system. It is a male sense of failure), and the layout of the music must also be changed: the sense of failure is no longer flamboyant, and cannot become a static peacock feather (the distance must be resolved), and the problem of picture language is very big. To undertake the entry of the society (there are also commercial considerations?), there are quite a lot of unintended continuous images merged (fragmentation is not enough & the meaning is distance) must find a way to support, so the use of music is compared with the early changes Also a must; occasions where less vocal use of fit has really disappeared.
A breakthrough indeed, even quite malicious. The emptiness of responsibility is also tormenting, so the male protagonist will definitely change the world in the end. Indeed, there is love in the infinitely empty universe, and it is barely able to maintain a beautiful feeling. But, it should be the limit.
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