Of course, I am actually an adult myself, but I think some film critics think they are adults, so they can criticize the male and female protagonists on the commanding heights of their own "experience", "sophistication" and "sophistication" , to criticize the story written by Makoto Shinkai and the two-dimensional world constructed, IMHO this is the real childishness.
First of all, I think everyone understands that this is an anime, not a documentary, or even a realistic movie. The protagonists of this anime are a group of teenagers under the age of 16, and adults can only be supporting roles at most, or even appear as villains, so if you want to deeply understand the essence of this anime, you can't just stop at adults. To understand the storyline and worldview of this anime.
The story is relatively simple and will not be told in order to prevent spoilers. I think the reason why the male protagonist left his hometown and came to Tokyo does not need to be explained, because it happened before in China that the mother blamed the son in the car, and the 17-year-old son opened the car door and jumped from the viaduct to his death on the spot. The whole process only took 3 seconds bell. Are you all grown up? I think the vast majority of people who go to the cinema to watch this anime are young people under the age of 30. The rebelliousness and impulsiveness of teenagers are really just because they are bored and resisted and do stupid things regardless of themselves. This is the objective of teenagers. It's just a normal behavior. A lonely boy with a gun he found by chance, just because of the favor of a hamburger, desperately rescued a girl who met by chance, and then the two of them had a wonderful time.
The psychology of a teenager is so simple and subtle: a teenager will unconditionally trust and care for those who care about him because of the love and protection of others intentionally or unintentionally; a teenager also has his own judgment of right and wrong, good and evil, and his own struggle and ideals. pursuit. The most important point is that teenagers will be grateful with a sincere heart and do their best to give back to the world.
Adults tend to have such a mentality: the responsibility is great and heavier than Mount Tai, so the adult world can never stop calculating the pros and cons. Yang Cai is a precocious and sensitive girl. She has long known the strangeness of her body, so when she learned that she could only stop the abnormal weather by giving her life, she chose to end it all. She understood her responsibility. But Hodaka pulled her back and showed the truth:
Teenagers are protected and live comfortably in this world, so they should not add more burdens and responsibilities to themselves. Teenagers just need to be themselves, love those around them worthy of love, cherish everyone and everything around them worthy of cherishing, unrealistic fantasies that good times can stay. Because adults can't do this. For the sake of profit and loss, adults need to make choices every moment, and the final result can only be drifting away from their inner hopes.
So some smug and greasy adults are probably like police investigators in anime, stubbornly thinking that minors should stay at home honestly, and using all means to try to fix the teenagers in the "ideal world" arranged by themselves in, and completely disregarding the kind heart of the young man. Fortunately, the uncle who woke up in time did not regard the male protagonist as a madman, so the male protagonist still firmly grasped the female protagonist and grasped the beauty worthy of being cherished.
Yes, maybe according to the understanding of adults, the male protagonist should not run away from home, he should be grateful for his parents' birth and food and clothing; the female protagonist should honestly work part-time and take care of his younger brother, and should not use his special abilities to show off everywhere. However, vulgar shackles cannot lock the hopes and expectations of young people. I think many young people who are full of ideals like me will find their shadows in Hodaka and Yangna.
Fangao, who was sitting in the police car, was crying. The surrounding police officers only thought that he was a crying and annoying bear child, but Fangao wanted to see Yangcai, and he was afraid that he would never see Yangcai again.
However, many people may no longer have the person they particularly want to see.
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