your weather

Jevon 2022-04-19 09:02:43

1. Speaking of which, I've also done things like running along the railway from Ikebukuro to Shinjuku.

Second, there is no doubt that this film has a great "Your Name" halo, or shadow; even the director admitted this in the film. But the characters can't stand, the settings are not implemented, the dramatic contradictions are not coherent, not strong, and the creation is too deliberate; naturally, the success of your name can no longer be replicated. The supervisor first designed the elements that made your name successful and good at it, and then added the settings. This makes the plot of the whole film chaotic and nonsensical - the topic of growth deserves to be ignored, and the actions of rescuing conflicts and being represented by the police are also simple and unconvincing. The way to save each other and the world is bizarrely overdone. The picture and soundtrack have improved significantly, but this does not justify the insincerity of director Shinkai Makoto.

Third, the Japanese police can find me a wallet so easy to use, but arresting a prisoner is not enough. I suggest that the police collectively protest the film.

Fourth, Tokyo + everyday unnaturalness + teenagers and girls saving each other + bare feet sisters + ethereal male soundtrack. .I can shoot too.

Fifth, Tokyo is really flooded, it will not be like this, and Yamate Terrace will become an isolated island. Other details are restored well, the overpass where the fat police detective chases the gangster is the one next to the Shin-Okubo railway.

When I was the same age as the hero, I saw your name late at night in a theater in Inner Mongolia. I didn't expect the details to be vivid in my eyes. It was like a small injury I suffered when I was young. I didn't think about it at the time, but it was unexpected The earth remains on the body forever, just like the first sentence of a hundred years of loneliness. At that time, I certainly couldn't imagine what I am now; now I am the same age as the later male protagonist, after watching it in Ueno, will this also become such a strange "point"? Memories are fun. Two years ago, I fell in love with a "Rational Type" like Pygmalion, and now I live a life of that Rational Type (the house rented by the male protagonist is almost the same as mine, and the decoration is very similar). It becomes imperceptible again; it's a sadness that I can easily observe others but cannot find a second or third person to look at myself.

Go back and write slowly.

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Extended Reading
  • Mariela 2022-03-14 14:12:27

    I really don’t understand what I’m writing. I’m very convinced that the hero can run from Ikebukuro to Yoyogi. He is still very smart on the Yamanote Line. After all, he’s not from Tokyo, so I get lost. Think the most reasonable place

  • Yvette 2022-03-24 09:03:19

    90/100, this time, the weather is no longer a backdrop to the space or an emotional boost. It actually becomes the main body of the narrative, and it also constitutes a close connection between the protagonists. Although it is the high-concept pure love structure used by Makoto Shinkai, the selfishness or selfishness of deviating from the world for love extracted through the story is moving. Such a paranoid and crazy story is not a reason to believe in love. //11.2 Second brush IMAX. I am still deeply shocked, how much courage it takes to write such a story. Under the premise of urban weirdness, Hodaka and Yangna do not belong to this world (can't show their identity proof), so they work hard to find the meaning of existence. Hina wants to be the sun of this mutant world, and Hodaka wants to be the sun of Hina. It wasn't until Hina gradually became transparent and Hodaka was pursued by the police that she realized that there was no meaning in giving to others, and they didn't belong here at all. So we started to deviate from this world and drowned the whole world. Only then did we understand that needing each other with others is the value of existence and constitutes the world. This is the love myth of marginalized people.

Weathering with You quotes

  • [Dear God. if you exist, please don't take anything more and don't give anything more]

  • Morishima Hodaka: Who cares if we can't see any sunshine? I want you more than any blue sky.