What a pity, the first half is just perfect. However, this is indeed very "Xin Haicheng". The first half of the story builds a wonderful love world of Xin Haicheng, and the second half of the plot collapses. Before watching it, I knew that the heroine of this movie can make the weather clear, but I think this ability is very tasteless. After reading it, I was amazed. Xin Haicheng integrated the meaning of sunny days into everyone's little wishes, such as wanting to play on the lawn with asthmatic children, wanting to show the results of his hard work on sunny days, etc. A sunny day that seems trivial in the eyes of ordinary people has a great effect on others. Makoto Shinkai successfully expresses his yearning and romance for "weather" in a way that is acceptable to ordinary people. In the past, weather was also a very important element in Makoto Shinkai's works, such as "rain" in the Garden of Words, snow at "five centimeters per second", etc., but this time the "sunny day" is the most moving. In addition, Makoto Shinkai has also integrated into the Japanese history and culture as before, such as the witch, the sky is actually another world, etc., and it is used very naturally, which increases the thickness of the film. And all of the above is from the perspective of two young boys and girls! With Xin Haicheng's invincible painter! The love world constructed by Makoto Shinkai is simply invincible and touching! But the backstory. . . Don't say it, eh, it's a pity.
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