20170818 Mark I want to watch (I have forgotten why I marked the Golden Globe Award for Best Foreign Language Film?) As a big heroine movie, the heroine's acting skills can support the whole film, the first part of the three-stage structure is very good, the last two parts Slightly loose, especially the sophistry at the trial was deeply deliberately mocking all the audience to cause anger, and the trial would allow the relatives of the victims to listen to the detailed autopsy report? Is there a detailed tutorial on making bombs in the court data? It feels a bit insulting to IQ. Do not agree to use violence to control violence. In the end, the heroine originally thought it was a white lotus-style forgiveness. She thought that after the forgiveness, her body would have a normal physiological period. I didn’t expect that she would choose a human bomb in the end. Interesting, guessing that she is similar to the heroine's situation, affected by guilt, and guessing that the woman's sixth sense senses the danger in the bushes. Knowing the final result, I was worried and my heart beat fast, and the suspense and thriller were in place. For me, the suspense and thriller of the plot is far more advanced and intense than the audio-visual quality of horror films. Many of the shots are like gusty reeds, especially many of the skyscapes are excellent. The language of the shots is skillful. From the beginning, it simulates a family handheld photography, and the back is tilted and the camera is panned. Especially after the final explosion, it shakes up to the gray sky, which is shocking and bursting. Sad after that, great! Disagree with the accusations of social issues that he did not show in the short review. The director himself, as a descendant of Turkish immigrants, has been very courageous to set the protagonist like this. 20181111 at MOMA. (Looking at the stills, I found that the wrist-cutting scene was deleted.
#out of thin air
A 9-point movie, as a big heroine movie, the heroine's acting skills can support the whole movie. A standard Greek-style tragedy, the standard three-stage structure, the first paragraph is almost perfect, and the last two paragraphs are slightly loose. The sophistry in the trial has the suspicion of deliberately mocking the audience and inciting anger, and the plot weakens more obviously. The third paragraph is full of suspense, and it is fascinating to constantly guess the actions of the heroine. Even if the ending is predicted, it is still apprehensive.
The language of the film's lens is familiar and familiar, from the simulation of family handheld photography at the beginning, to several highly visual vertical overhead shots later. The combination of tilting, forward and reverse panning and panning is properly used. There are many standard and beautiful main scene shots and empty mirrors, like the reeds in the wind. Especially the last explosion slowly shakes to the gray sky, which perfectly shows the shocking explosion after the explosion. Sad, great! (The blurring to the clear at the end is also great! Interesting! Interesting!
In addition, director Akin himself is a descendant of Turkish immigrants, and it is very courageous to set the protagonist like this.
20181111 at MOMA.
Thinking of the mother in "Three Billboards", that may be the way to control violence with violence, but anything may happen in the middle, and the blank space is very advanced!
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