Claude lacked love since childhood, his mother ran away, his father was disabled, and his family life was dead. He wanted to know what other people's families were like, so he chose Rafa, a silly classmate. Rafa lives in a harmonious middle-class family, Claude wants to know why Rafa's family can be so harmonious, and what secrets does this ordinary family have. Claude has been sitting on the bench in the park opposite Rafa's house staring at their house since last summer, and now he finally entered the family by taking the opportunity of tutoring math for Rafa, began to explore the family's secrets, and wrote This process was handed over to Gilman as a French assignment.
The French teacher Gilman is a literary lover, but because he has no talent, he had to give up writing and become a French teacher. He discovered Claude's talent in literature, so he encouraged his creation, encouraged him to peep into Rafa's family, and even stole math exam papers, humiliated Rafa in public, and hurt himself in order to enable Claude to continue writing. I lost my job and my wife.
As one of Claude's readers, Gilman's wife gradually got caught up in it, she understood Rafa's mother, she felt the loneliness of this woman, and the worst thing was that she couldn't have children, when she knew that Rafa's family was because of the first. When she was reunited with the arrival of her two children, she broke down completely and left her husband.
Claude went to Rafa's hall and Gilman's room.
In the end, Gilman, who had nothing, and Claude together, peeping and imagining the story of what happened in the house.
It's absurd to think about the story. Is the inner world of the middle class really so empty and lonely? Would a woman fall in love with a classmate of her 20-something-year-old son just because he wrote her a poem? In the movie, Rafa's mother hugs and kisses the skinny Claude, which looks disgusting enough, how empty it is to do this. But if this is Claude's fiction, why did Rafa beat him? Gilman always told his wife Jenna that those were Claude's imagination, and Jenna obviously didn't believe it. In the end, Gilman couldn't tell which was the literary creation and which was the real thing, so he really thought that Rafa had committed suicide, that his wife had had a relationship with Claude. I can't tell the difference either.
I couldn't help but think, what would I do if I wanted to get into someone else's life? Seduce the master or seduce the mistress? This is too difficult, and it can only be achieved through literary creation.
I suddenly had the sinful idea of inserting a third party between my best friend and her boyfriend. . . .
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