one flower one World

Shawna 2022-04-22 07:01:47

The shooting method is very good, the virtual and the real are changed, full of surprises but not abrupt. The story is also constantly slanted and slanted because of the repeated interspersed, outlining multiple plots out of context, and then leaving it to the audience's imagination. This heavy story is like petals in a macro. The audience watches them show their corners, stretch layer by layer, and then slowly zoom out, finally showing a blooming flower. The flower itself is complete, but it contains thousands of different stories that are intertwined and intertwined. The voyeurism is so full of layers, complex and powerful. The metamorphosis has risen to art, which is really overwhelming.

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Extended Reading
  • Aaliyah 2022-03-19 09:01:07

    There are too many angles for interpretation. The voyeuristic psychology of movies or literature, virtual and reality, the relationship between the reader and the author, and to achieve participatory creation. The ending also ends with the picture of "Rear Window", one window, one world, entering a world and entering a new life, like the movies I have watched, and the books I have read. Claude, the teacher, and the audience peeped progressively. Very interesting movie, fun on text.

  • Scot 2022-03-30 09:01:08

    Although there are many movies with voyeuristic perspectives and blurring the boundaries between fiction and reality, this one is really innovative, shooting the horror hidden behind everyday life. Chinese elements are also very interesting. At the end, the female protagonist smashed the male protagonist's head with Selina's hardcover book "Wandering in the Vast Night", and the letter translation also specially marked "This book tells about the darkness of human nature and the end of the road"... Haha, it's too funny. It's been ten years since I bought this book, so it's time to read it.

In the House quotes

  • [repeated line]

    Claude Garcia: Continues.

  • Claude Garcia: But I love you.

    Esther Artole: No. It's not me you love. It's an image. An image in your head.