View more about In the House reviews
one flower one World
Shawna 2022-04-22 07:01:47
The shooting method is very good, the virtual and the real are changed, full of surprises but not abrupt. The story is also constantly slanted and slanted because of the repeated interspersed, outlining multiple plots out of context, and then leaving it to the audience's imagination. This heavy story is like petals in a macro. The audience watches them show their corners, stretch layer by layer, and then slowly zoom out, finally showing a blooming flower. The flower itself is complete, but it contains thousands of different stories that are intertwined and intertwined. The voyeurism is so full of layers, complex and powerful. The metamorphosis has risen to art, which is really overwhelming.
Extended Reading
-
Jeanne 2022-03-18 09:01:06
The story is actually ordinary, but the story is really wonderful. It not only magnifies the tension of the story infinitely, but also has a sense of reading of chapter-back novels. The mutual intervention of reality and the story is fascinating. The echo of the composition at the beginning and the end is quite useful, just like those fast-flashing ID photos, you can’t help but want to press the pause and point to the one in front of you and say: Why don’t you start with this story?
-
Godfrey 2022-03-22 09:02:36
The title of the book that stuns the teacher at the climax is very interesting, VOYAGE AU BOUT DE LA NUIT, a trip at the end of the night. Both Germain and Claude are people who stare into the abyss, even if they both know the abyss is staring back at them with malicious intent. The background music QUE RESTE-T-IL DE NOTRE AMOUR when talking to my wife is awesome.
-
[repeated line]
Claude Garcia: Continues.
-
Claude Garcia: But I love you.
Esther Artole: No. It's not me you love. It's an image. An image in your head.