The shooting method is very good, the virtual and the real are changed, full of surprises but not abrupt. The story is also constantly slanted and slanted because of the repeated interspersed, outlining multiple plots out of context, and then leaving it to the audience's imagination. This heavy story is like petals in a macro. The audience watches them show their corners, stretch layer by layer, and then slowly zoom out, finally showing a blooming flower. The flower itself is complete, but it contains thousands of different stories that are intertwined and intertwined. The voyeurism is so full of layers, complex and powerful. The metamorphosis has risen to art, which is really overwhelming.
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In the House reviews