The plot of "Into the House" became interesting 20 minutes before the end, but it was just going on in a hurry.
Although it's easy for us to reminisce before the story is finished, the blond boy set up this game to tie him tighter with his deep cabinet teacher (so he used the kissing scene with Rafa to test him and lure his wife away) , the character dynamics in it are still quite interesting.
Such as the teacher's wife. Did she ever sleep with Claudi? It does not matter. Middle-aged women are prone to lust for good-looking and smart teenagers, and even if it happens, they will play on the scene. He does write about the plight of a middle-class married woman who also projects herself more or less on that woman, and it still doesn't matter. She knew when she opened the door that Claudius was dangerous, and that she was not like Rafa's mother (think of her hearing descriptions of boring middle-class women would draw the line in her mind?); or the same? The woman didn't go with him either. In any case, she won't take this kid seriously, because she's a control freak, and she bumped into this kid.
She cares about poor power - unlike teachers who are masochists. When Claudy pointed out that she was infertile, the two were already bayoning and tug-of-war on Gilman. Maybe this is the closest to meeting an opponent, but because of this, there is no spark, and it is just going through the motions.
Gilman may have been in this phase all his life; ever since he wrote a mediocre novel, it's been stagnant. If a wife is no better than a husband, what is the value of those works of art? She leaves because Claudius has heightened her sense of power, and she feels she deserves better. Love without passion is another aspect, but I have to say I am quite surprised...
Because I watched him read all the students' essays to her, and I thought they had a good relationship. After the fake suicide incident, he stopped reading, and he had a little secret. Because the students got involved in this relationship, they were also borrowing this child to wrestle. But she's always been sensitive; she said you've been showing me student work for ten years, and I knew right away that she was very controlling and that a little out of control would make her unhappy. The biggest accident of her leaving is because I thought she at least regarded her husband's honesty as a good quality with a lot of weight...but they really didn't fit.
Claude may also go away in the future - he, the teacher, and the audience all know this, but at least they have been together! I mean, really, completely own and monopolize each other, and more or less take care of each other's desires: "You think you are obeying my desires, but I created this cognition for you to satisfy your obedience. desire".
Claudius has been asserting sovereignty. For example, she said that she couldn't write without being there, that she needed proof of love, and answers to math exam papers. For example, if he deliberately threw his composition into the trash can, he knew that the teacher would not help picking it up and looking at it. When the teacher said the same thing to Rafa and him (borrowing a book), he got jealous, and then reported the teacher to the Torch Newspaper. Of course, he likes to mix things up and doesn't mind doing a little bit to advance the plot. adventure.
The interesting thing about desire is that it does not necessarily "benefit" the object of desire. Revenge is desire, and so is robbery. Claudy's chips are all real. His mother left and his father was disabled. He used this to seduce middle-aged women, but the one who was really seduced was the teacher who read his files.
He's great because he honestly lets the teacher read that he just takes advantage of his weakness. Like I told you about magic tricks in advance, but you still got caught. It was too easy to fool Gilman, he was too naive, and said that middle-aged women reading poetry was like seeing the atomic bomb, and to him the story of this child was the atomic bomb!
There are so many people that Claudy can invade, why is it an innocent middle-aged man? Maybe it's because he's too naive, naive and cute. After he failed to write a novel, he hid it. A little shame and self-esteem would use his identity as a teacher to cover up his inner instability. But more importantly, he can devote his whole mind to himself the most, so the teenager wants him to have nothing more, and see where his limits are. After all, both parties should take risks in a period of desire. Claudius smelled the teacher's scent when he lost everything. The teacher's qualifications are not the best, but he can set the old house on fire and become lost. This is always something that those wives can't match, they are too easy depend on others.
The key is what the teacher wants! He is attracted by people who are possessive and controlling, so he chooses such a wife. He just shakes m. When his wife sees the second or third serialization, she says that you are being played by him, and he does not ring. He argues. Later, he didn't even know a lie. He only said that the child was sixteen years old. This was not a denial, but a prevarication for self-deception. He played himself in, but he was happy in his heart, he liked this kind of inflection, and liked to be plundered.
So this ending is relatively happy - even if we have to separate in the end and have been approached with so much thought, the teacher won't be too brainless to react to it, right? The robbed wife is still so calm and pitiful, she is acting like a spoiled child:
"You took everything from me, and you are responsible for me..."
The child has figured this out, he will ask for himself, and the two of them will fall deeper and deeper into the trap of relying on each other.
View more about In the House reviews
