Survive in a desperate situation without giving up - "#Live"
Today, let's talk about the movie "#Alive".
Title #Saraitda / Alone / #Alive (2020), alias Lonely.
This is a Korean zombie-themed movie. It tells the story of a sudden outbreak of zombies flooding residential areas in the center of the city. Survivors trapped in the community will try their best to survive and wait for possible rescue opportunities.
The youngest actor, Yoo Ah-in, will be the actor, Oh Jun-woo, and the popular actress, Park Shin-hye, will play the heroine, Kim Yoo-bin.
The film has no cause and no result, more like a microcosm of an individual in a big event.
The sudden outbreak of the zombie virus had no warning. Just when Wu Junyu, the game anchor who was staying at home, was about to eat and wait for a new day, the army of zombies suddenly came.
Under the catastrophe, what Wu Junyu needs to do is to protect himself.
Under the circumstance that the water and electricity are cut off, a big boy who usually has no ability to take care of himself has to face the zombie tide alone in a situation that modern people cannot face. Living has become his only goal.
And until the end of the film, the whereabouts of the zombies are only a few words, and I don't know how the follow-up will develop.
Why is the title of "#Alive"#? Because this is an era of strong social networks, adding # is a new topic on Twitter. The younger generation is inseparable from social networks, and Twitter has become one of the best social software.
A hot topic can successfully attract people's attention, so living has become the theme of this film. When the zombie tide swept the whole city, the topic of being alive was also pushed to the forefront.
Of course, this happened on Twitter, let's forget it on a blog, do you still want to be on the hot search without paying? No. 17 on the hot search?
In fact, "#Alive" can be regarded as the best advertisement for 5G.
It can be seen that the infrastructure construction of the old community is relatively poor, let alone 5G mobile phones, even the most basic signals cannot be guaranteed. Whenever the protagonists stretch out their mobile phones to look for signals, they will unconsciously make the audience nervous.
If foreigners can know the importance of 5G, at least they can do much better than they are now in terms of rescue.
In recent years, Korean zombie-themed film and television works have been amazing, especially "Train to Busan", which has a good box office reputation, and "Kingdom" produced by Netflix. No matter from the aesthetics of the picture or the texture of the story, it is first-class, and it can be said that it has reached the level of world-class zombie movies.
Many people will be disappointed with this "#Alive", which is actually very understandable. Everyone went to see a "Train to Busan" rating, but they didn't even get out of the gate of the community, let alone knowing that there were tigers in the mountains and tending to travel to Busan.
Similar to "Train to Busan" and "Kingdom", the zombies produced in South Korea are all fans of mechanical dance.
Unlike the slow-moving zombies in The Walking Dead, Korean zombies have a strong Korean character.
Zombies retain the sight and hearing of human beings. They are not only fast, but also have rich body language. They are proficient in various anti-joint movements, and they must be twisted like a big reptile every time.
The core point of "#Alive" is to survive in a desperate situation. You have to persevere when you want to give up many times. Maybe there will be a turnaround in the next second.
Wu Junyu and Kim Youbin have seen this scene many times, thinking about giving up everything one second, and then ushering in a new opportunity arranged by the director the next second.
Isn't that what we watch when we watch movies? Under the catastrophe, those who survive may last a second longer than those who die.
But from the perspective of PUBG, "#Alive" is still being filmed completely around the theme.
Needless to say about the flaws, to be more honest, there are flaws everywhere. Under the harsh requirements of the audience, the protagonists will be stripped of the protagonist's halo, and they are not worthy of living at all.
Whenever there is a little conflict, the way the protagonists deal with them will make some keyboard warriors unhappy, and the keyboard warriors can't wait to go up to a sliding shovel.
The existence of zombies is inherently flawed, and dealing with flaws is the focus of zombie-themed works. If these flaws are removed, then don't make zombie movies.
A personal fragment of the zombie apocalypse,
Never give up in desperate survival.
This is the distribution center for hardcore movie fans, welcome to pay attention to the public number: Miaokan Film and Television
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