so be it

Jeremie 2022-04-19 09:02:41

The rhythm of the whole movie, should I say or not, can be stronger than "Train to Busan 2". But not much stronger. It's all small scenes, so I made all the elements of zombie movies to save money. Others are a little useless, and many places are not strict, and the yellow hair is still like that after a month. That's it for the calf. What kind of heroine's fear of heights is so terrifying in the end. Otaku can also fend off zombies with bicycles. The more you go, the more bloody you get. This part is similar to "Train to Busan 2". Not good.

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Extended Reading
  • Scot 2022-03-25 09:01:18

    Nothing, no wonder. Every plot point is picking up people's wisdom and disregarding the rationality of all behavioral logic. In terms of mode, it is not as good as the more entertaining "Extreme Escape". The male and female protagonists are constantly being stupid, and each has a halo, just like the possession of Zhao Zilong in Changshan, coming and going among the zombies freely and unscathed. The viewpoint is narrowed, but there is no empathy for the characters at all, so the whole film is like a huge unfinished work, continuing to consume people's enthusiasm for "Train to Busan". It seems to presuppose that the audience has a reserve knowledge of zombie movies, but the human level has not been able to output any really tenable themes. I still create in the old thinking, and I have only tasted the use of new media and new equipment. It is undoubtedly a fake blockbuster during the epidemic, or don't let your eyes come in contact with this virus. Yoo Ah-in, please cherish feathers.

  • Thora 2022-03-16 09:01:06

    If you describe the IP of "Travel in Busan" as a large-scale game with a magnificent world view and a lot of background knowledge before you start, then "Alive" will be closer to the old-fashioned web/stand-alone game, and you can directly start the task. Follow the prompts to complete and score in a limited time. The overall simple and clean narrative rhythm is relatively flat and straightforward. It effectively highlights the central task of the two protagonists from saving their lives to escaping their lives together. It also reduces the possible digressions caused by excessive sensation to a certain extent (even in some moments in the film). It also includes the first time the two talked with someone who was cautious and even a little sweet and cute, or a man who made sacrifices for his wife). The personalities of two characters who are accustomed to confined spaces are therefore naturally filled with fear, and the "so close, so far" between the first floor, all settings serve the word "alive". It is not innovative enough or "refreshing", but it does what it needs to do as much as it can.