The title of the film gradually pieced together on the red, blue and black background is like a group of people firing a cannon, and two lonely people meet naturally. The windshield in front of the woman is interspersed with red and green, and the man's side is red, green and blue. "A story is all confused. It's like a shadow, passing through a mirror." The combined narration, the characters' dialogue with the audience, and many of the things presented in the escape are the romance that I only dreamed of. Not being too restrained, but always fooling himself and not jumping out - even the characters understand that the camera is a spectator. The sky is vast, people drive into the sea, dance in the forest like a musical, that is the mutual comfort of nature and love; people are rolling stones, and when they get life, it is no longer life; their vacation is the vacation of the dead, and work is become a slave. The gratitude for the melody and the perseverance in searching are the purest things that Ferdinand pursues. It is these things that can stay with you after she leaves. But Ferdinand always insists that he is Ferdinand rather than Pierrot. Just like his remorse for lying on the rails, killing his lover, or even committing suicide, he only lives for freedom and idealization. After understanding the crazy melody of "Touching Hands", he actually didn't understand what he wanted. "We are together again. Forever. No, it's just the sun and the sea." In a hundred years of life, a lover can only accompany you halfway, only the world is eternal.
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