Anna Karina is a real stunner. Godard's use of tonal colors is so bright and lively. We watched a scenic tour with this criminal couple.
Godard's writing is beautiful. Get used to using sports shots, especially panning shots, to show space and mise-en-scene. The integration of the two singing and dialogue is wonderful. "Greek civilization was followed by the Renaissance, and now it has entered the buttocks civilization." Godard likes to borrow other media, such as newspapers, poetry, books, paintings, movies, etc., to reflect issues related to women's love and other topics. On the way to escape, Pierrot broke the camera and had a dialogue with the audience, which directly enhanced the audience's strong sense of participation. The overall tone changes of different scenes, red, yellow, blue, and color choices of costumes and props all reflect the director's flexibility in the use of colors and the restless and restless factor of the French New Wave filmmakers. Interesting close-up of the little man holding the gun and the heroine holding the scissors. Strobe lights place subtitles.
The question about the nature of the film is interesting. The fleeting fireworks and key words such as Renoir's "freedom, despair, bitter hope, memories" are the base color of the film. I like the design of the shooting and editing skills of the crime process of the two people. It adopts the scheduling that fully shows the freedom, and mixes and cuts the crime process of the two people. The two people express the mood of the two people. Selective release of the sound, the protagonists keep repeating "It's time to leave this rotten world, a story in chaos, leaving in a hurry, no money, quarrels, real life elsewhere, hunting and fishing on Tuesday, doing nothing on Friday, Two-faced people in society, I'm the big question mark on the horizon, I don't need a mirror to talk to myself" put them head-on against the social order with love as the driving force (kissing in the car before the crime), but lack of money to face the heart of the wanted Helpless and panic completely expressed.
I am eager to list some key words of the movie: longing for freedom, optimistic life, self-doubt, emptiness and restlessness of the soul, loss of vitality, pursuit of identity, idleness, boredom, lack of sense of direction, spiritual food, meaning of existence, distance between reality and imagination , Love First Emotional Exile, Sadness Not Despair, Sociopathic Complex, Real Life, Tenderness and Cruelty, Reality and Surrealism, Funny and Terrible, Woman's Runaway, Destroying Love, Art Death, Self-Destruction. I can't resist this innocent, fresh, poetic, uninhibited and romantic criminal wandering behavior.
The devastating ending is painful. "This belongs to us, eternity, only the sea, so the sun disappears." It turned out that this was the life we were looking forward to and feared in our hearts. The director successfully made the audience feel empathy. I have a deep understanding of the emotional undertones of New Wave filmmakers.
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