understand and get love

Lou 2022-03-26 09:01:10

This picture is too beautiful, even Caravaggio in several places. Interestingly, similar structures such as "Sick-Healthy People", closed spaces, and character wrestling appeared in "Still in the Mirror" in 1961, "Silence" in 1963, and "Masquerade" in 1966. appeared again. The subject of discussion is still the loss of communication and discourse, and there are still inescapable "Bergmanian propositions"—love and alienation for mothers, hatred for brothers, and what he calls "emotional blackmail," and his Tirelessly questioning God. Even the "Agnes Resurrection" scene in the details comes from his ten-year-old experience of being locked up in a morgue. The real Bergman I like exists in these four women, "I don't trust anyone, I don't love anyone, and I don't miss anyone", harsh, indifferent, and Anna is his secret room. The open gap is absolutely gentle. Like two sides of a coin, firmly attached to each other. (I love him 555)

Elbert 2022-03-25 09:01:15

Bergman is that every movie has to do something new, try new breakthroughs, right? There is only one scene in each person's memory, but enough details and plots are explained. It is really powerful, and the method of trying is also very bold. It was filmed before the Autumn Sonata, but the two have some similarities in the relationship between the characters and the plot. A bit of a pity.