You can write love, but you don't know what love is. You think it's love, but you even doubt yourself. You found love, but you're at a loss and can't face you. You understand that love is learning to love yourself first, and then one day love others. . . This is a movie that made me laugh, frown, let me relax, and made me think for a long time and couldn't get away from it. Every shot, every action, every expression, every emotion, every sentence in the film is accurate and necessary, without a trace of superfluity, and the narration does not lose a strong emotional expression. The heroine is a Chinese girl. She and her father are both escapees from life, but they are also each other's guardians. They cover up their emotions with the unique humor of the Chinese people, express their emotions very implicitly, and keep restraint and restraint at all times. In a white town, she is out of place, and she has no intention of fitting in when she is closed to herself. Because of the white guy's request, he had a real connection with those who were silently paying attention. The people you are watching silently are actually watching you silently, which should be the most wonderful thing in the world. What's even more wonderful is that they can read each other's inner world, the world that is closed to others, but can be opened for each other. However, the simple and sunny white guy was sandwiched between the happiness of the two people. In the process of intertwining the three, the young man found that the original feeling of certainty seemed to be less certain.
The teenagers are full of struggles and doubts in every night of crazy thinking and every day of careful temptation. In the end, the Chinese girl in the church broke through the false mask of "looking good" with her sharp point of view, awakening the hearts of many people. Regarding the Chinese girl, she is irrelevant on the surface, stubborn and competitive on the inside, introverted on the surface, sensitive and delicate on the inside, closed on the surface, and eager to find a sympathizer on the inside. And each of us may be like a teenager in a small town in the movie, with a peaceful life, a confused heart, day and night thinking, the reality and the true self are pulled, but still lost and moving forward, if you go the wrong way, you will naturally know the right direction. . "Love is willing to destroy a good painting in exchange for a chance to paint a first-class painting. Is this really the most daring stroke you can make?" This statement about the "bold stroke" really strikes me as yes An expression of divine brushwork, wonderful. This analogy makes the audience understand the crux of confusion and unwillingness. But daring to draw a "bold stroke", taking a step that is not correct or not, breaking that stable life is not the life you really want, it is the antidote to the crux. My favorite character (except the heroine) is the heroine's language teacher. The appreciation and expectations of small town teachers for Chinese girls cross races and rules, and they are so witty and lovely. . I like too many shots, let’s just say three. 1. In the school corridor, Astor squatted down to help Elichu pick up books. Astor's smile and eyes were calm and warm, but there was a deep meaning that he had been waiting for this right opportunity for a long time. Seeing the book that Ali Chu was reading, she revealed another kind of joy.
2. Two people floating on the lake have their own faces reflected. I just want to simply admire this picture. This picture forms an almost perfect echo with the core idea of the opening. The picture is quiet and beautiful, without words, but it makes people feel boundless. The vision and expression are almost perfectly matched, and they are very imaginative. This is a picture that does not need to be interpreted. I believe that everyone will have their own perception of this picture.
3. Ali Chu was in her bedroom, and the guitar humming came out of the window. The tune is soothing, the singing is warm, and it would be nice to have the company of my mother. Alichu's humming emotion is flat but full of longing. All the strong emotions are slowly released and diffused in a very calm way. This expression runs through the entire film.
Compared with "Face" 16 years ago, the director sent more detailed scrutiny and polishing and deeper exploration and thinking. The author's creations all originate from the ego, and he has a deep excavation of himself. He repeatedly thinks about how to express his inner thoughts more accurately, and the excellent works will naturally come naturally. I have always admired movies with sincerity as the core, and the restrained and delicate film technique is the right coat for this sincere core. Unconsciously, I have watched it many times, and every time I have a new touch, I think the reason why I give five stars to such a movie may be because there are only five stars out of full stars.
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