The director created a 200-page psychological and mental state symbolic film. The conception of American politics and humanistic background reveals that contemporary people have no privacy at all. They are wiretapped. Living conditions cannot communicate between people. Lonely and confused. Garage is a space symbol for Hollywood crimes and murders. The raincoat becomes a hidden rejection The styling symbol for communication with others, the saxophone, the lonely baritone, the protagonist can only express his personality and psychology by blowing the baritone. The symbolic display of the director’s page 247 is the protagonist’s garage-style workshop. The daily necessities are only all kinds of eavesdropping appliances and machines. The protagonist is always translucent. The construction and furnishings of the wind and raincoat create a symbolic living space that isolates the peeper from the person. This is not a spatial pattern accumulated by convention, but the creator of the film looks like a space. The cold emptiness constructed with texture is isolated from the world symbolized space
The director creates 350 pages to create a multi-level, natural, flowing and living dialogue space. It is the beginning of the aesthetic pursuit of sound composition in contemporary realist movies Strip out the suspense of the murder plot
The director created the 361-page murder case that is not represented by the lens of the space image, but is all expressed by the sound of the murder scene. The eavesdropping master learned that a murder is about to happen. He heard all the sounds of the murder in the bathroom of his rented apartment. The murder space. And the murder was all expressed by his personal wiretapping
The director’s creation of 362 pages of sound-a unique element of the play, the whole process of eavesdropping on the murder
The film art page 202 of the film’s opening telephoto lens slowly zooms in closer, making the audience feel a sense of uncertainty because they don’t know which of the protagonists in the crowd is until the lens zooms closer to the protagonist
The movie narrative of the 337-page movie "Talk" in the movie sound textbook has always misled us to tell us that certain sounds are objective. We didn't discover until the end of the film that the sound seemed to be subjective or ambiguous. The surprising design and in the movie The high degree of mystery depends on the ambiguity between the inner and outer plot sounds
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