Paul has three nightmare scenes in the film. This is the only depressing part of the film. The changes in the hero's inner world are revealed through these three dreams. The first nightmare was after falling asleep on the train, he was on the gray battlefield, the orphanage had been bombed out of shape, the background music was the clear ding-dong of music boxes, he pushed open the door and saw a boy sleeping in Beside the ruins, he suddenly picked up the flamethrower beside him and shot flames at the enemy next to him. Paul was awakened by the cry of a baby. Does this imply that Paul's inner home - the orphanage is in ruins, and the boy is his heart, and he still haunts the shadow of returning from the battlefield. But does the baby's cry imply the beginning of a new life, it is also the beginning of his new life, the bud of love. The second nightmare was that he slept in the same bed with her at Victoria's house, still on the battlefield, just pushed open the door of the orphanage, and the boy who fell asleep was no longer a muskete, but a little bear, but This peaceful scene ended in a while, with an explosion, the boy and the little bear were wiped out, Paul was covering his face, wearing a wedding ring on the ring finger of his left hand, calling "Victoria" to wake up. Is this implying Paul's inner struggle, he can feel Victoria's tenderness, but he is married, and he has responsibilities on his shoulders, as a husband's responsibilities, responsibilities to a family, and his heart is already at this time. In love with Victoria. How should he choose? The third nightmare, he left the vineyard, revealed by the truck driver's "Welcome to the ground" that he left the days of walking in the clouds, the nightmare reappeared in the car, but this time when he pushed away the orphanage's The door, it's not the ruins, it's not a little boy, it's Victoria and a child, he is wearing an orthodox military uniform, and the three of them walk into the clouds hand in hand, but the nightmare is still a nightmare, and they wake up with an explosion. At this time, Paul was sure that he was in love with Victoria and longed to start a family with her, but these were all in vain. He was a married man. Paul and Victoria's emotional entanglement is like walking in the clouds, beautiful but unreal. The charm of movies lies in a sense of drama that can always turn around when everything is exhausted.
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