How fortunate, I watched this film again shortly after watching the ninth district. They are all good films that are hard to come by, and they are all great scripts with very few special effects.
The film was destined from the start to be a character full of spoofs and humor, as if it were the beginning of Star Wars, and it turned out to be an arcade simulation game - well, interesting but not creative. But then, Long Face (can't remember the name) was fired by the owner of the playground. When he left, he wanted to vent and revenge and kicked the doll at the door, but he was still a little scared and helped him up again, which also shows the film's attention to detail. Handling - Stephen Chow in his heyday will also have such a bridge.
Well, in fact, this is not the point, the point is that this film is too awesome. Probably, I have to keep praising him for being "beautiful", and then I have time to say that I am tired and aftertaste where the awesomeness is.
Not to mention comedy scenes, they are everywhere, and what is rare is true humor, not cheap shit or parody. I remember the first time I grew hair (which one grew a beard later) and asked the other two brothers to go to the toilet together and imitated his movements to travel through time and space, I almost laughed.
Including the three people in the white future, when they heard the sound and thought it was a huge insect, they were all scared away, and then the audience saw a homeless man pushing a cart slowly into the picture, the cart made an insect-like sound, and couldn't help but wonder. Laugh. But then a huge ant really appeared and ate the head of a homeless man (cult) in one bite, which made people lament the director's bad taste. At the same time, this big insect also added the "big feeling" that will be said below.
And the long hair went in from the men's toilet, and immediately came out of the women's toilet, becoming a beard to persuade the two companions which part is also very classic. Rely on, because it should be said that it is too classic.
At the same time, the film also has a grand feeling. As a low-budget film, especially a comedy, it is not easy to get rid of this feeling.
Its clever approach is the kind of subtlety that is too shy to talk about in this film. We have all seen many blockbusters, such as "Jumanji" to survive alone in the forest, fighting with nature and beasts, and even films like "First Blood" and "The Rest of the Desert Island". In this film, as mentioned above: as soon as the long hair enters the toilet, the tidy and tidy become vicissitudes, and the mouth is full of "looking for weapons and food", "too dangerous, you don't want to know" and a few A flashback clip will give you that kind of jungle survival, and even encounter and fight monsters in "Planet of the Apes" and "Star Troopers".
And when the next three people arrived in the white and vast future, they even shot a little bit of apocalyptic atmosphere. Like "AI" (friendly aliens with big heads and long hands), "The Day After Tomorrow" or even "Twelve Monkeys" in the post-apocalyptic sense. The finishing touch is the "Last Supper" style oil painting of the three people, which makes the film have a kind of influence extended to all human beings, a sense of religion or strangeness. very interesting.
That kind of grand feeling is a feeling, giving you three points, leaving blank to imagine the mood of seven points.
All in all, this movie is really awesome.
The editing of the film, the movement of the mirror, etc. are all very skillful. For example, when Chang Mao crossed for the first time and saw a room of corpses, he first patted Chang Mao's expression and reflected, and the music was also well synchronized. Then he saw a room of corpses, which was really shocking. To be honest, I haven't been so curious about a movie in a long time. Of course, this is also related to his small cost and few special effects, and it is easy to have a real sense of substitution. If it's "Terminator 2018", I wouldn't be surprised to see anything behind the door.
The director is really good, and he plays the theme of time travel well-he is not trying to make some classics, or he wants to have fun. Remember to read the subtitles here. Two long-haired and two fat men came out from behind, echoing the sentence at the beginning.
All in all, time travel is so messy.
(Actually, I also want to talk about the director's tendency to be "obscene", such as sci-fi fans with long faces meeting beautiful admirers from the future, fat man immersed in fame and fortune and wanting to soak up his future female fans, etc., so I won't go into details. )
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