The success of comics is inseparable from the huge investment in animation production, and the same goes for giants, who feel that ghosts are even worse. The manga itself is very short, only 205 words, and the style of painting is also very simple. Every frame of animation visible to the naked eye is money burning. As a newcomer, Crocodile is very powerful to create such a work. But maybe it's because people are in the rivers and lakes, maybe they are too young, or for other reasons, the rhythm of the second half of the whole work is very fast, many pits have not been filled, and many questions have not been answered. I think it's a watershed in the infinite train here: one is the huge gap in strength. There is a huge gap between Yan Zhu and the third brother, and even if Yan Zhu does not have the true inheritance of his father, he is still at the Zhu level after all. The audience must be shocked when they see this, so the back is full of suspense. Zhu can't even beat the top three, let alone a novice like Tanjiro. The other is the watershed of rhythm. Immediately after the end of the flower street part, the rhythm is getting faster and faster. It always gives people a feeling of wanting to end it quickly. The income of this wave of Crocodile should be calculated in billions, and I don’t know how much freedom of wealth affects Crocodile’s creation.
All in all, it's hard not to like Ghostbusters. From characters to story setting. Several protagonists have their own characteristics, and the shaping is very successful. Those on the Internet who are compared to giants and the like, spray this and that, don't pay attention, is it difficult to admit that these are all good-looking? (Let's not discuss whether the ending is good or not, JSC will come out and be beaten!) Finally, attach a wave of figurines bought following the trend →_→
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