"Ghost Slayer: Wireless Train Arc", how should I put it, it's a decent popcorn movie. The story that happened on the train made me a little excited, similar to "Snowpiercer" and "Murder on the Orient Express" "This kind of movie left a good impression on me. The movie also has certain arrangements according to the structure of the train. For example, it is not easy to swing a knife in the car, the use of roof space, and the coal car is a ghost's neck. But in general, the use is relatively conventional, and there is nothing special about it. At the same time, the plot of this movie is like it was used to train the protagonists. Purgatory actually asked Zhutou and Tanzhilang to fight the ghosts and protect the passengers by themselves. Can you defeat the Xianxian ghost and move its neck without cutting it? In terms of efficiency, it must be to let Zhutou and Tanzhilang be responsible for the four carriages, and they are responsible for the first carriage and the fastest way to find the ghost. He found the Xianxian ghost, and he could definitely beat him to the point where he didn't want to eat the passengers again, and Yanzhu's strength to kill the Xianxian ghost was not a matter of seconds or a few minutes, right? Although he knew that Tanzhilang had the experience of fighting against the ghosts, they would still have to die if it hadn't been for the bravery that time, so it is very outrageous to say that the protagonist's decision to fight the ghosts is very outrageous. However, and dead, Purgatory has to protect passengers and kill ghosts, which will only increase casualties infinitely. Therefore, the author here is a bit taken for granted when dealing with the plot, because the author knows that the protagonist group will win, so he arranged it like this The plot, but if considered from the unknown situation, such a decision is actually against Yanzhu's own creed. In addition, the appearance of the last winding ghost is actually inexplicable. It is completely to deliberately frustrate the protagonist group, and then let Yanzhu die to advance the plot, which makes me somewhat speechless, and the empathy for the characters themselves is not very good. Therefore, when Yanzhu died in the end, I didn't feel much, but felt a little inexplicable. Finally, let’s talk about the achievements of this film. Everyone should know that the box office revenue of this film has become the first in Japanese film history. Although the film’s box office and the quality of the film have nothing to do with the level of art, I can’t deny it. As a popcorn movie, he has certain merits, and the production of film reviews is also a first-class production level, but this kind of phenomenal box office revenue is still a bit amazing. It can only be said that the Japanese animation film market is constantly expanding, and the national consumption level is constantly increasing. Boosting, in general, is also a good thing.
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