To be honest, when I see the Chinese landscape in every scene in the animation, the beauty that every picture can be used as a desktop wallpaper definitely makes people feel proud of the beautiful mountains and rivers of the motherland. This feeling is welcoming. When I came to the tumbling waves of rape blossoms, I thought it would reach its peak, but who would have guessed that a flat flower would come later, and the special effects of the animation were so beautiful.
Speaking of the plot, it can be seen that the theme of the main theme is cute monsters. The setting of this furry little monster can definitely attract children, and it does not teach much throughout the whole article, which makes people see that the director advocates "harmony between people and nature, People and wild animals do not disturb each other" concept. Although it is a film co-produced by China and the United States, even though many of the independent and bold behaviors of the little girl are not so localized, it can be seen that the film still tries to restore a Chinese environment. The room type, seeing three generations of old and young living together under one roof, and seeing the lively scenes of children in the neighborhood, really made me feel the intention of this film. So it may make me temporarily ignore why there are not so many people on the street, why there are no crowds at the foot of the Leshan Giant Buddha, and why these villains' cars pass through without encountering traffic jams and other bugs.
The film can be said to have no urination points in the whole process. It combines the scenery, stories and contradictions well. The plots are also relatively compact one after the other, taking into account the sense of picture and the story. The snow monster is cute, especially the little gray fluff on the face that makes me want to touch it.... And another point that I agree with this film is that it echoes from the beginning to the end. The girl just wanted to save enough money to leave home for a trip, and at the end of the day, after sending the Yeti back, she realized that home was always the place one would eventually go back to. Unconsciously, the mentality of the little girl has changed. These changes are not too rigid, leaving a lot of room for thinking.
In addition, I really like the contrasting and cute uncle. It reminds me inexplicably of the bad-tempered grandfather in "Flying House". Although the identities are not the same, in the final analysis, they always have a softness in their hearts, and this film The movie also indirectly reflects people's desires and changes in people's mentality. There are no absolute bad people, as long as they are willing to pull back from the precipice in time. The results of not Lema can only refer to the female scientist...
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